flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Tacoma Art Museum's new wing features sun screens that operate like railroad box car doors

Museums

Tacoma Art Museum's new wing features sun screens that operate like railroad box car doors

The 16-foot-tall screens, operated by a hand wheel, roll like box car doors across the façade and interlace with a set of fixed screens.


By Olson Kundig Architects | February 6, 2015
Tacoma Art Museum's new wing features sun screens that operate like railroad box car doors

The 16,000-sf addition expands the museum’s existing Antoine Predock-designed structure. Photo: Benjamin Benschneider

The new Haub Family Galleries at the Tacoma Art Museum (TAM), designed by Seattle-based Olson Kundig Architects, opened to the public last week. The galleries, together with a new entry plaza, mark the firm's first museum project and expand the museum’s existing Antoine Predock-designed structure by 16,000 sf.

Bringing several new iconic features to the museum’s interior and exterior, the Haub Family Galleries double the museum’s gallery space and will house the newly acquired Haub Family Collection of Western American Art, consisting of nearly 300 works. The Haub Family Galleries reflect the surrounding environment through the creative use of industrial elements, an earthy palette of materials, and mechanical features that allows the building to respond to its environment while helping to engage visitors.

The design inspiration for the new building comes directly from the rich historical context of Tacoma and the surrounding landscape—a city and region shaped through its interwoven connections to shipping, logging and railroading. That legacy has resulted in a contemporary building that is respectful of place, yet of its time.

 

Photo: Benjamin Benschneider

 

“Architecturally, the challenges became opportunities,” said Kundig. “It was an opportunity to create new venues to view art. The design takes into account Tacoma’s diverse and historic neighborhoods. The West doesn’t stop in Wyoming. Tacoma, the ‘City of Destiny,’ was the western terminus of the Northern Pacific Railroad, and played an important part of the larger story of the West.”

The most striking feature of the new Haub Family Galleries building is a 34-foot-tall entry canopy that soars over the existing museum and expansion, adjoining the two spaces together. The canopy transforms the outdoor plaza into a public gathering space and is made using a combination of aluminum grating and stainless steel panels, which were reused from selectively demolished portions of the existing building.

Further enhancing the museum’s visual impact along Pacific Avenue, the Haub Family Galleries also feature sliding sun screens made of Richlite, a sustainable material made locally in Tacoma from recycled paper, organic fiber and phenolic resin. The roughly 16-foot-tall, 17-foot-tall screens, operated by a hand wheel, roll like railroad box car doors across the façade and interlace with a set of fixed screens. The screens pair form and function by referencing Tacoma’s industrial history while allowing the museum to control the amount of natural light in the space.

 

Photo: Benjamin Benschneider

 

The overall program for the TAM expansion includes 7,000 sf of new gallery space dedicated to the Haub Family Collection, 3,500 sf of new back-of-house service and mechanical space, and 3,000 sf of interior renovations in the existing facility for lobby, bookstore, café, and restrooms. The newly revised lobby and entry sequence encourages movement into and through the museum. Sustainable features include reduced water usage with adaptive landscape vegetation and low flow water fixtures, high efficiency mechanical and LED lighting systems, and the incorporation of reclaimed materials from the existing site.

The Olson Kundig Architects design team for the Haub Family Galleries was led by Design Principal Tom Kundig and also includes: Kirsten R. Murray, Principal; Kevin Kudo-King, Principal; Jim Friesz, Project Manager; Thomas Brown, Staff Charlie Fairchild, Interior Design; Naomi Mason, Interior Project Manager; Alan Maskin, Design Principal for the Interactive Art Space.

 

Photo: Kevin Scott

Photo: Benjamin Benschneider

Photo: Benjamin Benschneider

Photo: Benjamin Benschneider

Photo: Benjamin Benschneider

Photo: Benjamin Benschneider

Photo: Benjamin Benschneider

 

 

Related Stories

| Jul 2, 2014

Emerging trends in commercial flooring

Rectangular tiles, digital graphic applications, the resurgence of terrazzo, and product transparency headline today’s commercial flooring trends.

| Jul 1, 2014

Peter Zumthor's LA art museum plan modified with bridge-like section across main thoroughfare

After his design drew concerns about potential damage to LA's La Brea Tar Pits, Peter Zumthor has dramatically revised his concept for the Los Angeles Museum of Art.

| Jul 1, 2014

Zaha Hadid's flowing Heydar Aliyev Center named Design of the Year for 2014

The Design Museum's Design of the Year award has been awarded to Zaha Hadid's Heydar Aliyev Center. Hadid is not only the first woman to win the top prize, but the center is the first architectural project to win the overall competition.

| Jun 30, 2014

Research finds continued growth of design-build throughout United States

New research findings indicate that for the first time more than half of projects above $10 million are being completed through design-build project delivery. 

| Jun 25, 2014

Frank Lloyd Wright’s Spring House, Cincinnati’s Union Terminal among 11 Most Endangered Historic Places for 2014

The National Trust for Historic Preservation released its annual list of 11 Most Endangered Historical Sites in the United States for 2014.

| Jun 23, 2014

Gehry's 'glass sail' cultural center for Foundation Louis Vuitton set to open in October

Comissioned by Bernard Arnault, American legendary architect Frank Gehry's newest structure in Paris for Foundation Louis Vuitton will house eleven galleries and an auditorium for performing arts.

| Jun 18, 2014

Arup uses 3D printing to fabricate one-of-a-kind structural steel components

The firm's research shows that 3D printing has the potential to reduce costs, cut waste, and slash the carbon footprint of the construction sector.

| Jun 16, 2014

6 U.S. cities at the forefront of innovation districts

A new Brookings Institution study records the emergence of “competitive places that are also cool spaces.”

| Jun 13, 2014

First look: BIG's spiraling museum for watchmaker Audemars Piguet

The glass-and-steel pavilion's spiral structure acts as a storytelling device for the company's history.

| Jun 12, 2014

Tod Williams Billie Tsien Architects' design selected for new UCSC facility

The planned site is a natural landscape among redwood trees with views over Monterey Bay, a site that the architects have called “one of the most beautiful they have ever worked on.”

boombox1
boombox2
native1

More In Category

Museums

Connecticut’s Bruce Museum more than doubles its size with a 42,000-sf, three-floor addition

In Greenwich, Conn., the Bruce Museum, a multidisciplinary institution highlighting art, science, and history, has undergone a campus revitalization and expansion that more than doubles the museum’s size. Designed by EskewDumezRipple and built by Turner Construction, the project includes a 42,000-sf, three-floor addition as well as a comprehensive renovation of the 32,500-sf museum, which was originally built as a private home in the mid-19th century and expanded in the early 1990s. 




halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021