The Philadelphia Art Commission has weighed in somewhat unfavorably on Robert A.M. Stern's design for the Museum of the American Revolution in Philadelphia.
According to The Inquirer, the commission didn't offically reject the $150 million proposal, but on Feb 5 it did communicate concerns about the building's design. Specifically, the commission asked Stern to eliminate a cupola, add eye-level windows on the ground floor, and rethink the building's composition.
The museum, supported by H.F. "Gerry" Lenfest, the Oneida Indian Nation, and the state of Pennsylvania, will exist in a space currently dominated by a red brick visitor center built for Philadelphia's Bicentennial in 1976. The commission has approved the demolition of the visitor center so that museum construction can start in the summer of 2014.
"This building really has a big-box-store mentality with a little bit of ornament attached," David B. Brownlee, a Penn art historian and vice chair of the Design Advocacy Group, told Inga Saffron of The Inquirer. Read the full report from The Inquirer.
Here is the firm's essay on the current design scheme for the museum (via www.ramsa.com):
The Museum of the American Revolution, anchoring the eastern end of Independence National Historical Park, is designed to introduce visitors to the American Revolution with its extraordinary collection of historical artifacts and contemporary interpretations demonstrating the continued worldwide importance of the Revolution.
Set amidst buildings of national and architectural significance—facing the First Bank of the United States (Samuel Blodgett, 1795), near William Strickland's Merchant's Exchange (1834) and the U.S. Custom House (Ritter & Shay, 1934)—the Museum will carry forward the restrained Classicism that heralded the birth of the Republic.
The Museum will address the corner of Chestnut and Third Streets with a broad plaza and an inviting entry facade that offers a glimpse at the treasures within through a two-story glazed portico. The museum shop and a café that opens to the sidewalk will enliven the Third Street facade; above, the wall that conceals the galleries will be articulated with brick quoining and recessed blind brick arches, accented with stone at the spring points and keystones and housing stone apsidal niches.
Our design organizes the Museum around a skylit central interior court. The ground floor will accommodate a multi-use theater and a changing exhibition gallery. Within the court a grand elliptical stair will take visitors up to 18,000 square feet of galleries and a theater dedicated to the exhibition of George Washington's marquee tent, one of the Museum's most dramatic holdings.
The Museum's third floor will offer rooms for conferences, symposia, and social events; two broad terraces overlooking the First Bank will command views to Independence Hall and the modern-day Philadelphia skyline.
The Museum will provide state-of-the-art storage and conservation spaces, following best practices for sustainable museum design to target LEED Silver certification.
The Museum will announce itself with a distinctive tower set directly above the lobby: atop a rectangular lantern with scalloped corners, sized to house a full-scale replica of the Liberty bell, will rise a cylindrical cupola with a bell-shaped roof that celebrates in a contemporary way the importance of our nation's founding.
Related Stories
| Sep 2, 2014
Ranked: Top green building sector AEC firms [2014 Giants 300 Report]
AECOM, Gensler, and Turner top BD+C's rankings of the nation's largest green design and construction firms.
| Aug 29, 2014
Phifer and Partners to design 'transparent' Museum of Modern Art in Warsaw
The design includes a stage that opens onto the city's Parade Square, so anyone passing by will be able to see performances.
| Aug 25, 2014
Ranked: Top cultural facility sector AEC firms [2014 Giants 300 Report]
Arup, Gensler, and Turner head BD+C's rankings of design and construction firms with the most revenue from cultural facility projects, as reported in the 2014 Giants 300 Report.
| Aug 14, 2014
Museum of Mayan Culture draws inspiration from temple design [slideshow]
The Museo Maya de América in Guatemala City will be the world’s largest museum of Mayan history and culture, at 60,000 sf.
| Jul 28, 2014
Reconstruction market benefits from improving economy, new technology [2014 Giants 300 Report]
Following years of fairly lackluster demand for commercial property remodeling, reconstruction revenue is improving, according to the 2014 Giants 300 report.
| Jul 28, 2014
Reconstruction Sector Construction Firms [2014 Giants 300 Report]
Structure Tone, Turner, and Gilbane top Building Design+Construction's 2014 ranking of the largest reconstruction contractor and construction management firms in the U.S.
| Jul 28, 2014
Reconstruction Sector Engineering Firms [2014 Giants 300 Report]
Jacobs, URS, and Wiss, Janney, Elstner top Building Design+Construction's 2014 ranking of the largest reconstruction engineering and engineering/architecture firms in the U.S.
| Jul 28, 2014
Reconstruction Sector Architecture Firms [2014 Giants 300 Report]
Stantec, HDR, and HOK top Building Design+Construction's 2014 ranking of the largest reconstruction architecture and architecture/engineering firms in the U.S.
| Jul 23, 2014
Architecture Billings Index up nearly a point in June
AIA reported the June ABI score was 53.5, up from a mark of 52.6 in May.
| Jul 21, 2014
Economists ponder uneven recovery, weigh benefits of big infrastructure [2014 Giants 300 Report]
According to expert forecasters, multifamily projects, the Panama Canal expansion, and the petroleum industry’s “shale gale” could be saving graces for commercial AEC firms seeking growth opportunities in an economy that’s provided its share of recent disappointments.
