He is one of the nation's most prominent and celebrated architects. He’s designed everything from hotels for Disney to civic buildings, such as the municipal center in Portland, Ore.
In the late 1970s, he entered the world of industrial design after an invitation from Italian company Alessi to design a coffee and tea set. In 1984, his kettle design for Alessi became a hit, and until this day remains the company’s number one bestseller. In the late 1990s he started designing everyday items for Target, which made him even more of a household name.
In sum, his signature style was ubiquitous, and he was heralded for bringing sophisticated design to the masses.
If anything, the mysterious virus he contracted in 2003 that led him to paralysis from the chest down was a catalyst that pushed him to have an even wider design focus.
He recently sat with Barbara Sadick of the Washington Post to talk about working as a full-time architect as he lives in a wheelchair.
“I believe well-designed places and objects can actually improve healing, while poor design can inhibit it,” he told the Post. “This became very real to me after my illness, so since then I’ve asked my design team to spend a week in a wheelchair.”
Graves further shares that good design for the ill and disabled isn’t just about accessibility, but also beauty. “Beauty can reduce stress and make us feel better,” he said, and adding that good design makes work easier for the caregivers, professional, or family.
To date, Graves keeps busy with multiple projects, many of them related to designing healthcare buildings, where Graves can use his expertise and personal experience to good use. Among these are a rehabilitation hospital in Lincoln, Neb., for people with traumatic brain and spinal cord injuries, and a new unit at Yale-New Haven Hospital that offers acute care for the elderly.
In industrial design, Graves is working with a health technology firm to design hospital room products that, as the Post describes, “will be not only easier for those with disabilities to use, making falls less likely, but also more attractive than what is found in many hospital and rehab rooms and much easier to clean.”
All of these projects, of course, will have Graves’ signature, whimsical, post-modern look and use of bright colors.
“Who wants to recover,” he tells the Post, “in a place where everything is beige?”
Read the full Washington Post profile.
The Wounded Warriors Home project in Fort Belvoir, Va., designed by Graves in partnership with Clark Realty Capital.
Prime Transport Chair for Srtyker Medical. Image courtesy of michaelgraves.com
Related Stories
Education Facilities | Mar 28, 2016
Steven Holl wins invited competition to design Rubenstein Commons
The new Rubenstein Commons will be a 20,000-sf structure at the center of the campus for the Institute for Advanced Study in Princeton, N.J.
Wood | Mar 28, 2016
Waugh Thistleton designs one of the tallest timber office buildings in London
The nine-story Development House has vertical open spaces for light and air flow.
Architects | Mar 20, 2016
Ars Gratia Artis: A North Carolina architect emphasizes the value of art in its designs
Turan Duda says clients are receptive, but the art must still be integral to the building’s overall vision.
Architects | Mar 16, 2016
PGAL acquires Dallas-based Pro Forma Architecture
The merger adds a firm that has specialized in municipal projects.
Events Facilities | Mar 15, 2016
Bjarke Ingels, Foster+Partners, and Grimshaw all winners in Expo 2020 pavilion design competition
BIG designed the Opportunity Pavilion, Foster+Partners submitted the winning Mobility Pavilion, and Grimshaw created the Sustainability Pavilion.
Sports and Recreational Facilities | Mar 14, 2016
Washington Redskins tease new stadium model designed by Bjarke Ingels
The location isn't yet determined, but the new stadium will have a moat for kayaking.
Architects | Mar 11, 2016
German artist recreates Brutalist buildings with LEGO blocks
Arndt Schlaudraff brings the beauty out of the rugged, linear style of buildings most popular a half century ago.
Architects | Mar 11, 2016
Architecture for Humanity rebrands itself as Open Architecture Collaborative
With a new name, logo, and mission, the Open Architecture Collaborative is seeking a fresh start.
Architects | Mar 11, 2016
AIA survey finds many women and minority architects still feeling underrepresented and unfulfilled
Dissatisfaction with “work-life balance” and compensation are cited as reasons why companies’ diversity strategies may be faltering.
University Buildings | Mar 11, 2016
How architects can help community colleges promote community on campus
Even in the face of funding challenges and historic precedent, there are emerging examples of how partnership between two-year academic institutions and designers can further elevate community on campus. CannonDesign's Carisima Koenig has a few key examples.