The John F. Kennedy Center for the Performing Arts in Washington D.C. opened its first-ever expansion on September 7, and is celebrating that opening with 16 days of free programming.
Designed by Steven Holl Architects, The REACH, as the addition is known, is anchored by three pavilions—called Welcome, Skylight, and River—located on more than 130,000 sf of sweeping lawn that overlooks the Potomac River. The buildings are linked below ground to create an expanded facility that includes classrooms, three rehearsal studios, and multiuse public spaces.
The project incorporates engineering features that include a void slab design, a technique rarely used in the U.S., which allowed for the expansion’s dramatic sculptural forms and spacious interiors. Plastic balls are embedded in the concrete to reduce the overall deadweight and allow for longer spans. Arup coordinated closely with the design team to ensure that each component of the building’s systems was effectively woven into the slab system on schedule.
The Link walkway connects the Kennedy Center's main building to the REACH.
To support the architectural vision and ambitious sustainability targets, Arup's team of engineers and consultants collaborated to develop a building systems strategy that optimizes energy performance while remaining largely unseen. For example, an under-floor concrete trench system enables the building services to be distributed out of sightline, thereby preserving the integrity of the architectural vision.
The strategy also incorporates a range of performance-enhancing technologies, from a closed-loop, ground source heat rejection system, to advanced temperature controls and radiant floor heating. Using Arup’s in-house software suite, Oasys Building Environmental Analysis (BEANS), the team demonstrated that the addition of radiant floors would counteract the thermal effects of one of the pavilion’s massive curved wall, providing both heating and cooling and significantly boosting comfort throughout the year while keeping energy demands within acceptable levels.
One of three rehearsal studios at The REACH.
The REACH could be viewed as a counterpoint to the monolithic Kennedy Center, which one architectural critic once disparaged as a “superbunker” with over-the-top interior design elements and few windows. In contrast, the REACH’s 72,000 sf interior space—which include a living theater, immersive learning center, and public arts incubator—present more-open, inviting spaces to visitors and patrons. The addition increases the Kennedy Center’s public-facing areas by 20%, Deborah Rutter, the Center’s president, told Bizjournals.com.
The Whiting-Turner Contracting Company was the construction manager on the project.
The REACH cost an estimated $175 million, 75% over its original construction buddget, and took two more years than planned to complete. Its supporters say that a portion of the extra cost will pay for operations. The Kennedy Center is in the process of raising $250 million in individual and corporate donations for the new facility, which is targeting LEED Gold certification.
The lobby for the Welcome Pavilion, one of three buildings that comprise The REACH.
Related Stories
| May 15, 2014
First look: 9/11 Memorial Museum opens to first-responders, survivors, 9/11 families [slideshow]
The 110,000-sf museum is filled with monumental artifacts from the tragedy and exhibits that honor the lives of every victim of the 2001 and 1993 attacks.
| May 13, 2014
Steven Holl's sculptural Institute for Contemporary Art set to break ground at VCU
The facility will have two entrances—one facing the city of Richmond, Va., the other toward VCU's campus—to serve as a connection between "town and gown."
| May 13, 2014
19 industry groups team to promote resilient planning and building materials
The industry associations, with more than 700,000 members generating almost $1 trillion in GDP, have issued a joint statement on resilience, pushing design and building solutions for disaster mitigation.
| May 13, 2014
Libeskind wins competition to design Canadian National Holocaust Monument
A design team featuring Daniel Libeskind and Gail Dexter-Lord has won a competition with its design for the Canadian National Holocaust Monument in Toronto. The monument is set to open in the autumn of 2015.
| May 11, 2014
Final call for entries: 2014 Giants 300 survey
BD+C's 2014 Giants 300 survey forms are due Wednesday, May 21. Survey results will be published in our July 2014 issue. The annual Giants 300 Report ranks the top AEC firms in commercial construction, by revenue.
| May 9, 2014
New York Public Library scraps drastic renovation plans
The New York Public Library's controversial renovation, involving the removal of stacks from the Schwarzman building and the closing of the mid-Manhattan branch, has been dropped in favor of a less dramatic plan.
| May 2, 2014
World's largest outdoor chandelier tops reworked streetscape for Cleveland's PlayhouseSquare
Streetscape project includes monumental gateway portals, LED signage, and a new plaza, fire pit, sidewalk café, and alfresco dining area.
| May 2, 2014
Must see: French pavilion to take food from roof to table
France has presented its design for Expo Milano 2015 in Milan—its representative building will be covered in gardens on the outside, from which food will be harvested and served inside.
| Apr 30, 2014
Visiting Beijing's massive Chaoyang Park Plaza will be like 'moving through a urban forest'
Construction work has begun on the 120,000-sm mixed-use development, which was envisioned by MAD architects as a modern, urban forest.
| Apr 29, 2014
USGBC launches real-time green building data dashboard
The online data visualization resource highlights green building data for each state and Washington, D.C.
