The John F. Kennedy Center for the Performing Arts in Washington D.C. opened its first-ever expansion on September 7, and is celebrating that opening with 16 days of free programming.
Designed by Steven Holl Architects, The REACH, as the addition is known, is anchored by three pavilions—called Welcome, Skylight, and River—located on more than 130,000 sf of sweeping lawn that overlooks the Potomac River. The buildings are linked below ground to create an expanded facility that includes classrooms, three rehearsal studios, and multiuse public spaces.
The project incorporates engineering features that include a void slab design, a technique rarely used in the U.S., which allowed for the expansion’s dramatic sculptural forms and spacious interiors. Plastic balls are embedded in the concrete to reduce the overall deadweight and allow for longer spans. Arup coordinated closely with the design team to ensure that each component of the building’s systems was effectively woven into the slab system on schedule.
The Link walkway connects the Kennedy Center's main building to the REACH.
To support the architectural vision and ambitious sustainability targets, Arup's team of engineers and consultants collaborated to develop a building systems strategy that optimizes energy performance while remaining largely unseen. For example, an under-floor concrete trench system enables the building services to be distributed out of sightline, thereby preserving the integrity of the architectural vision.
The strategy also incorporates a range of performance-enhancing technologies, from a closed-loop, ground source heat rejection system, to advanced temperature controls and radiant floor heating. Using Arup’s in-house software suite, Oasys Building Environmental Analysis (BEANS), the team demonstrated that the addition of radiant floors would counteract the thermal effects of one of the pavilion’s massive curved wall, providing both heating and cooling and significantly boosting comfort throughout the year while keeping energy demands within acceptable levels.
One of three rehearsal studios at The REACH.
The REACH could be viewed as a counterpoint to the monolithic Kennedy Center, which one architectural critic once disparaged as a “superbunker” with over-the-top interior design elements and few windows. In contrast, the REACH’s 72,000 sf interior space—which include a living theater, immersive learning center, and public arts incubator—present more-open, inviting spaces to visitors and patrons. The addition increases the Kennedy Center’s public-facing areas by 20%, Deborah Rutter, the Center’s president, told Bizjournals.com.
The Whiting-Turner Contracting Company was the construction manager on the project.
The REACH cost an estimated $175 million, 75% over its original construction buddget, and took two more years than planned to complete. Its supporters say that a portion of the extra cost will pay for operations. The Kennedy Center is in the process of raising $250 million in individual and corporate donations for the new facility, which is targeting LEED Gold certification.
The lobby for the Welcome Pavilion, one of three buildings that comprise The REACH.
Related Stories
| Oct 15, 2014
First look: Blueprint revealed for proposed High Line project in Queens
Yet another High Line-esque project has been proposed, this time in Queens. A blueprint has been developed for a 3.5-mile stretch of abandoned railroad tracks, which would connect Rego Park to Ozone Park with a walkway and bike path.
| Oct 14, 2014
Proven 6-step approach to treating historic windows
This course provides step-by-step prescriptive advice to architects, engineers, and contractors on when it makes sense to repair or rehabilitate existing windows, and when they should advise their building owner clients to consider replacement.
| Oct 12, 2014
AIA 2030 commitment: Five years on, are we any closer to net-zero?
This year marks the fifth anniversary of the American Institute of Architects’ effort to have architecture firms voluntarily pledge net-zero energy design for all their buildings by 2030.
| Oct 10, 2014
A new memorial by Zaha Hadid in Cambodia departs from the expected
The project sees a departure from Hadid’s well-known use of concrete, fiberglass, and resin. Instead, the primary material will be timber, curved and symmetrical like the Angkor Wat and other Cambodian landmarks.
| Oct 8, 2014
First look: Woods Bagot unveils plans for new Christchurch Convention Center
The locally-inspired building is meant to serve as a symbol of the city's recovery from the earthquake of 2011.
| Oct 6, 2014
Frank Gehry's $100 million Eisenhower Memorial gets preliminary approval
After a rejection earlier in the year, Frank Gehry has gotten some good news: his revised design for the Dwight D. Eisenhower Memorial has received approval from the National Capital Planning Commission.
| Oct 2, 2014
Budget busters: Report details 24 of the world's most obscenely over-budget construction projects
Montreal's Olympic Stadium and the Sydney Opera House are among the landmark projects to bust their budgets, according to a new interactive graph by Podio.
| Oct 1, 2014
10 iconic modern buildings first to receive 'Keeping it Modern' conservation grants from the Getty Foundation
Frank Lloyd Wright's Robie House and Jørn Utzon’s Sydney Opera House are among the buildings to receive grants.
| Sep 29, 2014
Snøhetta releases final plan for terraced central library in Calgary
The competition-winning New Central Library is now in the final design stages, after two years of community engagement on the part of design firms Snøhetta and DIALOG.
| Sep 25, 2014
Jean Nouvel unveils plans for National Art Museum of China
Of the design, Nouvel describes it as inspired by the simplicity of “a single brush stroke.”