The long and controversial tale of the Harmon hotel and casino is over: MGM Resorts International has received permission to demolish the tower, Dezeen reports.
The court ruling comes in the midst of the debate between owner MGM and developer Tutor Perini, which has been waged over who is at fault for the building's failure.
Construction of the resort was halted after experts discovered faulty steel beams in the structure. They determined that the beams would not stand up to an earthquake.
Elizabeth Gonzalez, a Clark County District judge, has ordered lawyers on either side to collect outstanding evidence, in effect paving the way for demolition. The demolition will involve the complex being taken apart floor by floor, at a cost of $11.5 million.
Foster + Partners designed the Harmon, which broke ground in 2006. The structural issues were discovered two years into construction.
Some history on the project via Wikipedia:
In late 2008, work on the Harmon Hotel/Condo Tower was stopped after inspectors discovered construction defects: county inspectors discovered improper installation by Pacific Coast Steel, of critical steel reinforcements (rebar) after 15 stories of the building had already been erected.
The error caused a major change in the building's design; instead of being 49 stories, it was reduced to 28 stories with the condominium element, The Harmon Residences removed entirely. At the time, 88 of the 207 condominiums were reserved by buyers who had put 20 percent down. Those buyers were offered refunds or the option to buy in other buildings.
Related Stories
Architects | Feb 11, 2022
How computer simulations of vision loss create more empathetic buildings for the visually impaired
Here is a look at four challenges identified from our research and how the design responds accordingly.
Healthcare Facilities | Feb 10, 2022
Respite for the weary healthcare worker
The pandemic has shined a light on the severe occupational stress facing healthcare workers. Creating restorative hospital environments can ease their feelings of anxiety and burnout while improving their ability to care for patients.
Architects | Feb 8, 2022
Perkins Eastman and BLT Architects merge
Expanding services in hospitality, education, and mixed-use sectors to better serve clients.
Architects | Feb 3, 2022
SmithGroup elevates Mark Adams to lead workplace practice
In his new role, Adams leads the firm’s practice devoted to the design of corporate and commercial facilities.
Architects | Feb 2, 2022
Steven L. Pliam joins LEO A DALY as Design Technology Leader
Pliam will oversee the deployment and use of technologies such as computational design, parametric design, digital practice, reality capture, visualization, virtual/augmented reality, GIS and AI/Machine Learning.
Architects | Jan 31, 2022
Heatherwick Studio proposes new public waterfront site for Seoul
Heatherwick Studio was recently selected as part of the team by the Seoul Metropolitan Government to create a new sports and cultural district for the city.
Retail Centers | Jan 31, 2022
Amazon Style: Amazon’s latest innovative physical shopping experience
In January, Amazon unveiled plans to build a physical fashion store concept, dubbed Amazon Style, in Los Angeles. The e-commerce giant says the store will offer “together the best of shopping on Amazon–great prices, selection, and convenience–with an all new shopping experience built to inspire.”
Sponsored | BD+C University Course | Jan 30, 2022
Optimized steel deck design
This course provides an overview of structural steel deck design and the ways to improve building performance and to reduce total-project costs.
Laboratories | Jan 28, 2022
3 must-know strategies for developers in today’s life sciences industry
While the life sciences industry had been steadily growing, this growth exploded when the pandemic arrived—and there is no indication that this lightning-fast pace will slow down any time soon.
Cultural Facilities | Jan 27, 2022
Growth in content providers creates new demand for soundstage facilities
Relativity Architects' Partner Tima Bell discusses how the explosion in content providers has outpaced the availability of TV and film production soundstages in North America and Europe.
