flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Intelligent construction photography, not just pretty pictures

Intelligent construction photography, not just pretty pictures

Our expert tells how to organize construction progress photos so you don’t lose track of all the valuable information they contain.


By By Ryan Abbott, SUNDT Construction, Inc. | March 1, 2012
Geo-tagged image shows the exact spot where the photo was taken (red dot) and th
Geo-tagged image shows the exact spot where the photo was taken (red dot) and the angle at which it was taken, as well as date,
This article first appeared in the March 2012 issue of BD+C.

If it’s true that a picture is worth a thousand words, it’s not surprising that the construction industry loses an untold amount of dollars every year due to poor photo filing. Construction progress photos are worthless if they get filed away without an easy way to locate them, or if you don’t know when and where they were taken.

Commercial construction is extremely complex and becoming more so as we move to combine tens of thousands of supply chains in new synergistic ways—energy recovery systems, variable volume air distribution, and dynamic building controls being a few examples. With all of these moving parts, progress documentation has become essential to the construction process, thus requiring us to take lots of photos. Imagine you could see through walls, above ceilings, and underground, but had no idea where you were looking. That’s roughly the current status of construction progress digital photography.

Let me tell you a story that illustrates my point.

A month after moving a client into a beautiful laboratory building, I received a phone call from one of the facility managers telling me that the exterior lights were out—the breaker had been tripped. We checked the lighting loads and conductors, replaced the breaker, safely reset it, and—ta-da!—the lights worked.

Exactly 30 days later, the same phone call. In desperation I turned to the installation photos. What I found was a mind-numbing pile of digital photos, including one shown here labeled “BOB 005.” The entire collection lacked a meaningful file name, structure, or location. I had no clue as to where the photo belonged or when it was taken. In fact, all the photos had the exact same date, the day the project was closed out.

As it turns out sheer luck led me to the solution. I’ll give you a clue: grey conduit met white conduit and, magically, on the one day in the month when the trees on this desert property were watered, the site lighting would short out. The experience inspired me to find a way to organize digital construction photos so that they could be useful in situations like this.

'Simple isn't the same thing as 'easy'

My first instinct was to try to simplify the process. However, that meant requiring our construction field teams to: 1) take photos of anything that could not be seen after construction; 2) download the photos on a regular basis; 3) name and date the photos in such a way that a third party could find their way back to the point of reference where the photo was taken; and 4) make the photos truly searchable.

This first idea was to develop a complex file structure that was located on a project SharePoint site. The idea was that each folder would hold only photos of that specific room, product, or site location; anyone could post and use the library at any time in the future.

As you’ve probably guessed, my plan fell short at the implementation stage. The operations group members weren’t downloading photos on a regular basis, couldn’t remember where photos had been taken, and didn’t post them into the correct folder. As a fallback, I thought about hiring a couple of project interns whose only job would be to document photos, but that, too, would have been too labor intensive.

What we needed was a solution that didn’t add labor costs and would actually encourage our field staff to take construction progress photos. In short, we needed a tool that could see through walls, above ceilings, and underground—a tool where all the pertinent information could be automatically stored with the photo the moment it was taken.

Increasing the level of photo sophistication

I won’t keep you in suspense any longer. The solution turned out to be “geo-tagging,” which is the process of adding geographical identification metadata to images through a global positioning system (GPS) digital camera. Such cameras are all over the market. We tested Nikon’s P6000, Samsung’s CL65, and several models by Sony; we chose the Sony Cybershot DSC-HX5 for its reasonable cost, GPS accuracy, and the fact that it utilizes a nonproprietary memory card that could easy be removed to transfer photos onto our project servers.

The data-rich file itself is not the end-all; it’s what you can do with it that counts. To draw a parallel, a digital song file comes with the image of the album cover, the name of the song, the artist, and the date it was recorded. It doesn’t matter what kind of device you play a digital song on, you still have access to the data.

Similarly, a geo-tagged photo comes with its latitude, longitude, altitude, compass direction, date, and time recorded. Having all that data embedded in your geo-tagged photos allows you to create so-called “mashups.”

According to Wikipedia 2012, a mashup is “a Web page or application that uses and combines data, presentation, or functionality from two or more sources to create new services.” The main characteristics of mashups are “combination, visualization, and aggregation” that make existing data more useful for professional (or personal) use.

When a construction progress photo has been geo-tagged, it can be viewed in any of a number of mapping programs that recognize latitude and longitude; with a little work, it can even be viewed in programs that recognize x-y-z relationships to a given reference point.

One of the simplest of these mapping programs is Google Maps. In the case of the geo-tagged photo and Google Maps mashup on page 21, the red pin represents the precise location where the photo was taken. The blue cone emanating from the pin is the image angle, indicating the direction of the photo. In other words, the person taking the photo was standing on the red pin and facing in the direction of the blue triangle.

Once your photos have been geo-tagged they can be paired (i.e., mashed) with any number of backgrounds through a variety of interfaces. The three primary interfaces that we use are: 1) the typical file view (sort by name or date); 2) a very useful calendar view; and 3) a map view.

Finding your construction progress photos now becomes much easier. If you know the approximate date, use the calendar view. If you know roughly the location, use the map view. Let’s say you are a supervisor of several construction projects, and you want to find a photo from your job in Phoenix. No problem: using the software that comes with the GPS camera, just zoom in to the location.

Moreover, you don’t necessarily need a GPS-enabled camera to geo-tag your photos. You can download freeware (e.g., Picasa 3, GeoSetter, Geolmgr) that will enable you to manually geo-tag your new (and old) photos that were taken with a non-GPS-enabled camera. Using the map view, you simply drag and drop your photos to the location you remember being at.

However, this method makes you do all the manual work yourself, which from a field perspective creates a disincentive for taking project progress photos

The most elegant solutions are often the simplest. In the brave new world of open source data and cloud computing, data sophistication is paramount. Thanks to GPS and digital cameras, now you can see through walls, above ceilings, and below ground, as if you were really there. +

Ryan Abbott (raabbott@sundt.com) is the Science & Technology Group Leader with SUNDT Construction, Inc.

Related Stories

Market Data | Jan 13, 2016

Morgan Stanley bucks gloom and doom, thinks U.S. economy has legs through 2020

Strong job growth and dwindling consumer debt give rise to hope.

Architects | Jan 13, 2016

‘Socially engaged’ architect Alejandro Aravena named 2016 Pritzker Architecture Prize Laureate

Known for his inventive social housing initiatives in his native Chile, Aravena epitomizes the revival of a more socially engaged architect, the Pritzker jury stated.

Architects | Jan 12, 2016

Dear Architecture: It's time to create a level field for female designers

If architecture took one moment to be introspective, it would discover appalling imbalances between the opportunities for women and men, as Perkins+Will's Vershaé Hite and Brittany Eaker-Kirkland wrote in an open letter.

Great Solutions | Jan 6, 2016

Shepley Bulfinch develops elegant design solution to address behavioral issues in emergency departments

ED scheme allows staff to isolate unruly patients and visitors in a secure area.

Market Data | Jan 5, 2016

Majority of AEC firms saw growth in 2015, remain optimistic for 2016: BD+C survey

By all indications, 2015 was another solid year for U.S. architecture, engineering, and construction firms.

Architects | Jan 5, 2016

Potential vs. credential: How men and women differ in career progress

Recent research suggests that women face yet another career impediment: the confidence gap.

Architects | Dec 17, 2015

Capturing utilization and activity data in the workplace

While utilization is an important metric to inform how frequently a space is used, it’s important to consider activity data.

Architects | Dec 17, 2015

Four winners named in NYC sidewalk shed competition

Firms in the Construction Shed Design Competition made designs that are simple to build and use readily-available materials.

Architects | Dec 16, 2015

Lohan Anderson to close, join Wight & Co.

Dirk Lohan, Floyd Anderson and eight others will be hired by the Illinois-based Wight & Co. next month.

Architects | Dec 16, 2015

Architects create commission for diversity advancement

The 20-member group will assess recent data, set a plan of action, and report on results to the AIA Board of Directors.

boombox1
boombox2
native1

More In Category




Government Buildings

One of the country’s first all-electric fire stations will use no outside energy sources

Charlotte, N.C.’s new Fire Station #30 will be one of the country’s first all-electric fire stations, using no outside energy sources other than diesel fuel for one or two of the fire trucks. Multiple energy sources will power the station, including solar roof panels and geothermal wells. The two-story building features three truck bays, two fire poles, dispatch area, contamination room, and gear storage.

halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021