Designed by the Renzo Piano Building Workshop of Genoa/Paris/New York and Kendall/Heaton Associates of Houston, the highly anticipated expansion of the Kimbell Art Museum opens on Wednesday, November 27, 2013.
The $135 million, 101,130-square-foot colonnaded pavilion by Renzo Piano stands as an expression of simplicity and lightness—glass, concrete and wood—65 yards to the west of the signature cycloid-vaulted museum of 1972 by Louis I. Kahn.
Glimpsed from the portico of the Kahn Building, the highly energy-efficient two-part structure gives the impression of weightlessness: its recessed glass entrance is centered between crisp concrete walls; a wafer-thin layer of glass hovers over its louvered roof system; and enormous overhanging wood beams appear to float above the exterior walls.
Appearing for the first time in a Renzo Piano–designed building are galleries with smooth concrete walls and coupled wood ceiling beams. Twenty-nine pairs of these 100-foot-long Douglas Fir beams extend throughout the whole length of the front or east wing—jutting through the south gallery, entry lobby, and north gallery before coming to rest on exterior concrete columns. This wood beam structure supports the louvered roof system that controls the flow of sunlight into the building.
Two glazed outdoor walkways connect the simply expressed and luminous east wing with the rearmost building section, which is sheltered beneath a green roof. Here, a gallery designed for light-sensitive works is set partially underground and walled in lustrous concrete, its only window offering a dramatic view up a stepped ascent.
The pavilion's greatest surprise lies in the west wing: an auditorium with bright-red, raked seating plunges below ground to the stage, which is set against the backdrop of a deep and broad light well animated by shifting patterns of natural illumination.
Eric M. Lee, director of the Kimbell, noted: "In its marshaling of light and materials, human scale, and tripartite plan and elevation, the Piano Pavilion provides a 21st-century counterpoint to Kahn's classic modern masterwork."
View from the southwest at night, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
South view, Renzo Piano Pavilion and Louis Kahn Building, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
Interior view of south gallery, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Interior view of south gallery, looking out to the lawn, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Roof detail, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of concrete gallery wall, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of roof and beam system, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View from south gallery looking north, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Grand staircase, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Piano Building sketch, 2008. © Renzo Piano Building Workshop
Renzo Piano on the west portico of the Kahn Building, 2008. Photo by Robert LaPrelle. © Renzo Piano Building Workshop
Related Stories
| Nov 1, 2010
Vancouver’s former Olympic Village shoots for Gold
The first tenants of the Millennium Water development in Vancouver, B.C., were Olympic athletes competing in the 2010 Winter Games. Now the former Olympic Village, located on a 17-acre brownfield site, is being transformed into a residential neighborhood targeting LEED ND Gold. The buildings are expected to consume 30-70% less energy than comparable structures.
| Oct 27, 2010
Grid-neutral education complex to serve students, community
MVE Institutional designed the Downtown Educational Complex in Oakland, Calif., to serve as an educational facility, community center, and grid-neutral green building. The 123,000-sf complex, now under construction on a 5.5-acre site in the city’s Lake Merritt neighborhood, will be built in two phases, the first expected to be completed in spring 2012 and the second in fall 2014.
| Oct 21, 2010
GSA confirms new LEED Gold requirement
The General Services Administration has increased its sustainability requirements and now mandates LEED Gold for its projects.
| Oct 18, 2010
World’s first zero-carbon city on track in Abu Dhabi
Masdar City, the world’s only zero-carbon city, is on track to be built in Abu Dhabi, with completion expected as early as 2020. Foster + Partners developed the $22 billion city’s master plan, with Adrian Smith + Gordon Gill Architecture, Aedas, and Lava Architects designing buildings for the project’s first phase, which is on track to be ready for occupancy by 2015.
| Oct 13, 2010
Editorial
The AEC industry shares a widespread obsession with the new. New is fresh. New is youthful. New is cool. But “old” or “slightly used” can be financially profitable and professionally rewarding, too.
| Oct 13, 2010
Test run on the HP Z200 SFF Good Value in a Small Package
Contributing Editor Jeff Yoders tests a new small-form factor, workstation-class desktop in Hewlett-Packard’s line that combines performance of its minitower machine with a smaller chassis and a lower price.
| Oct 13, 2010
Prefab Trailblazer
The $137 million, 12-story, 500,000-sf Miami Valley Hospital cardiac center, Dayton, Ohio, is the first major hospital project in the U.S. to have made extensive use of prefabricated components in its design and construction.
| Oct 13, 2010
Thought Leader
Sundra L. Ryce, President and CEO of SLR Contracting & Service Company, Buffalo, N.Y., talks about her firm’s success in new construction, renovation, CM, and design-build projects for the Navy, Air Force, and Buffalo Public Schools.
| Oct 13, 2010
Hospital tower gets modern makeover
The Wellmont Holston Valley Medical Center in Kingsport, Tenn., expanded its D unit, a project that includes a 243,443-sf addition with a 12-room operating suite, a 36-bed intensive care unit, and an enlarged emergency department.
