Designed by the Renzo Piano Building Workshop of Genoa/Paris/New York and Kendall/Heaton Associates of Houston, the highly anticipated expansion of the Kimbell Art Museum opens on Wednesday, November 27, 2013.
The $135 million, 101,130-square-foot colonnaded pavilion by Renzo Piano stands as an expression of simplicity and lightness—glass, concrete and wood—65 yards to the west of the signature cycloid-vaulted museum of 1972 by Louis I. Kahn.
Glimpsed from the portico of the Kahn Building, the highly energy-efficient two-part structure gives the impression of weightlessness: its recessed glass entrance is centered between crisp concrete walls; a wafer-thin layer of glass hovers over its louvered roof system; and enormous overhanging wood beams appear to float above the exterior walls.
Appearing for the first time in a Renzo Piano–designed building are galleries with smooth concrete walls and coupled wood ceiling beams. Twenty-nine pairs of these 100-foot-long Douglas Fir beams extend throughout the whole length of the front or east wing—jutting through the south gallery, entry lobby, and north gallery before coming to rest on exterior concrete columns. This wood beam structure supports the louvered roof system that controls the flow of sunlight into the building.
Two glazed outdoor walkways connect the simply expressed and luminous east wing with the rearmost building section, which is sheltered beneath a green roof. Here, a gallery designed for light-sensitive works is set partially underground and walled in lustrous concrete, its only window offering a dramatic view up a stepped ascent.
The pavilion's greatest surprise lies in the west wing: an auditorium with bright-red, raked seating plunges below ground to the stage, which is set against the backdrop of a deep and broad light well animated by shifting patterns of natural illumination.
Eric M. Lee, director of the Kimbell, noted: "In its marshaling of light and materials, human scale, and tripartite plan and elevation, the Piano Pavilion provides a 21st-century counterpoint to Kahn's classic modern masterwork."
View from the southwest at night, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
South view, Renzo Piano Pavilion and Louis Kahn Building, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
Interior view of south gallery, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Interior view of south gallery, looking out to the lawn, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Roof detail, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of concrete gallery wall, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of roof and beam system, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View from south gallery looking north, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Grand staircase, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Piano Building sketch, 2008. © Renzo Piano Building Workshop
Renzo Piano on the west portico of the Kahn Building, 2008. Photo by Robert LaPrelle. © Renzo Piano Building Workshop
Related Stories
| Dec 11, 2013
Wyndham unveils hotel prototype for its Hawthorn Suites chain
The extended-stay hotel prototype reduces development costs by 46% for franchisees and enhances the overall guest experience.
| Dec 10, 2013
16 great solutions for architects, engineers, and contractors
From a crowd-funded smart shovel to a why-didn’t-someone-do-this-sooner scheme for managing traffic in public restrooms, these ideas are noteworthy for creative problem-solving. Here are some of the most intriguing innovations the BD+C community has brought to our attention this year.
| Dec 9, 2013
Tips for designing higher education's newest building type: the learning commons
In this era of scaled-down budgets, maximized efficiencies, new learning methods and social media’s domination of face time, college and university campuses are gravitating toward a new space type: the learning commons.
| Dec 9, 2013
Does technology help or hinder innovation?
Whether digital technology will help or hinder workplace insights remains a topic of ongoing debate. FastCo.Design features insights from business scholars on both sides of the issue.
| Dec 6, 2013
French concert hall includes integrated musical elements [VIDEO]
La Métaphone, a concert hall in Ognies, France, is a 1,980-sm facility with the unique characteristic of being a structural musical instrument. The solar-powered building incorporates musical elements in its walls, which can be played by musicians inside or outside the facility.
| Dec 6, 2013
Goettsch Partners selected 2013 AIA Chicago Firm of the Year
Architecture firm Goettsch Partners (GP) has been named the 2013 Firm of the Year, as conferred by the Chicago chapter of the American Institute of Architects (AIA Chicago). The award is the highest honor a firm can receive from the chapter.
| Dec 5, 2013
Maximizing the impact of online marketing
Because most professional services firms exist to help their clients reduce risk and navigate an uncertain future, they tend to approach the world of online or digital marketing with some caution. Here are four tips for maximizing the impact of online marketing.
| Dec 5, 2013
Translating design intent from across the globe
I recently attended the Bentley User Conference in Vejle, Denmark. I attended the event primarily to get a sense for the challenges our Danish counterparts are experiencing in project delivery and digital communication. One story I heard was from a BIM manager with Henning Larsen Architects in Denmark, who told me about a project she’d recently completed overseas in the Middle East. She outlined two distinct challenges and offered some interesting solutions to those challenges.
| Dec 3, 2013
‘BIM for all’ platform pays off for contractor
Construction giant JE Dunn is saving millions in cost avoidances by implementing a custom, cloud-based BIM/VDC collaboration platform.
| Dec 3, 2013
Historic Daytona International Speedway undergoing $400 million facelift
The Daytona International Speedway is zooming ahead on the largest renovation in the Florida venue’s 54-year history. Improvements include five redesigned guest entrances, an extended grandstand with 101,000 new seats, and more than 60 new trackside suites for corporate entertaining.
