flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Find Your 30: Creating a unique sense of place in the workplace while emphasizing brand identity

Office Buildings

Find Your 30: Creating a unique sense of place in the workplace while emphasizing brand identity

Finding Your 30 gives each office a sense of autonomy, and it allows for bigger and broader concepts that emphasize distinctive cultural, historic or other similar attributes.


By Stephanie L’Estrange, Principal, Director of Interior Design, Taylor Design | October 30, 2023
This photo of Taylor Design’s LA office shows standard branding, decorative lighting, and a family table (the 70%), with community art (the 30%) unique to the location.
This photo of Taylor Design’s LA office shows standard branding, decorative lighting, and a family table (the 70%), with community art (the 30%) unique to the location. Photos courtesy Taylor Design

Companies create design standards for many reasons, including brand recognition and to simplify the procurement process. These standards provide explicit direction for the way the company uses art, lighting, space layouts, furniture, fabrics, security, technology and many other components of the design process.

Design standards can serve another purpose — to help the design team understand how much of the project must “stay within the lines” and how much is subject to creative interpretation. Because this ratio is often about 70%-30%, we use the term “Find Your 30” at Taylor Design.

This is an approximation, of course. We settled on “Find Your 30,” but every organization carries different standards, priorities and brand-driven requirements into a design project. For some companies, the ratio is 90%-10%; for others it may be closer to 50%-50%. When we designed our new Sacramento, Los Angeles and Orange County offices, we ensured that our breakdown was 70%-30%.

What does “Find Your 30” mean?

It is as important to identify your ideal ratio as it is to decide to create design standards in the first place. This informs the designer exactly how much freedom they have to use their skill and creativity to celebrate a unique culture from location to location.

Finding Your 30 gives each office a sense of autonomy, and it allows for bigger and broader concepts that emphasize distinctive cultural, historic or other similar attributes. While the “70” holds true to the company’s requirements for branding, company colors, furniture and materials, the “30” affords the designer – in collaboration with the owner and their team – the opportunity to deviate from the standards and introduce artwork, fittings, color accents and other elements that communicate a sense of community and ownership. This freer expression is often used to highlight cultural and historic aspects of the physical location, but can also reference other qualities, such as the firm’s mission, history, signature work or founding partners.

Why is this important?

When a design team goes into a project fully aware of what is flexible and what is not, it saves time, which saves money. Also, when you fail to define the ratio – to Find Your 30 – you lose an opportunity to simultaneously illustrate brand consistency with a uniqueness of place. This is particularly true in a renovation setting, where the goal is to seamlessly marry existing finishes with newly created standards in a complementary way. This lack of direction can lead to decisions being made on the fly, often badly. It invites confusion, crushes momentum and can cast a pall over the entire project.

The challenge and opportunity

Taylor Design approached its latest office space updates with a firm commitment to allowing each office 30% choice to promote the uniqueness of their space. Like many multiple-office firms, we encountered both lease extensions and entirely new locations, which added to the challenge. As we set about creating spaces that represent the singular Taylor Design Brand, while giving each location room to design a thoughtful story, we asked ourselves a number of questions:

randing, flooring and furniture found in other Taylor Design offices are seen in the foreground (the 70%), with a specialty wallcovering (the 30%) in the background.
Branding, flooring and furniture found in other Taylor Design offices are seen in the foreground (the 70%), with a specialty wallcovering (the 30%) in the background.

What do we want clients and employees to feel and think about when they are in the space? As both designers ourselves and occupants of the space, we know that the answer lies in telling a lasting narrative about who Taylor Design is, what we stand for, and how the occupants of this particular office are firmly in the Taylor Design fold, yet also representative of the characteristics of the locality. The “30” helps to define the entire experience.

What standards should we employ? Standards in this context offer two parallel benefits: they help accentuate the brand (e.g., values, mission) and illustrate the culture (e.g., what makes us different). The goal is to craft a meaningful story within our spaces that keeps our mission front and center — “Design that Empowers People” — while sharing who we are as a distinctive community of designers.

Should we concentrate the “30” in a single part of the office or spread it throughout? In some cases, but especially when the ratio is 90%-10%, the creative component is limited to one space – often the lobby. We decided quickly that we wanted to weave our 30% throughout the space. One of the ways we decided to represent the uniqueness of place within the context of Taylor Design was to ask our founder, Linda Taylor, to use her remarkable artistic talent to provide paintings that are specific to each location. As a result, her artwork graces multiple locations in each office. Also, with the full 30% to work with, we had sufficient room to convey our story in multiple areas, including deep into the space to help emphasize brand identity to visitors and to our staff.

Which design elements fall in both the 70% and the 30%?  The theory of “Find Your 30” doesn’t require every design component to fall within one camp or the other; it can sometimes be in both. For example, in our office renovations, employees shared their personal inspirations with Linda Taylor to help stimulate the original artwork of each location. Commissioning Linda to contribute paintings falls in the 70% standard – each office will have a piece of her art. However, because each piece reflects the unique inspiration of the employees in the office, it also falls within the 30%. The same holds true for engaging with local community artists. Each office location worked with and commissioned an original piece of art from a community artist. As with our founder’s art, the community artist’s work is part of both the 70% and the 30%.

This view of Taylor Design’s Orange County office emphasizes standard programming elements, including standards that are the vibrant colors strategically placed, project work on display and a specific type of delineation with the use of curtains.
This view of Taylor Design’s Orange County office emphasizes standard programming elements, including standards that are the vibrant colors strategically placed, project work on display and a specific type of delineation with the use of curtains.

How should we get where we want to be? We held workshops featuring exercises that helped define the challenge of each space and seek solutions within the framework of Find Your 30. We used 70%-30% as an aid to determine whether a challenge or solution belonged to the rigid design standards of the former, or the freedom of expression in the latter. For example, we specified material, including natural grass and a graphic wallcovering, explicitly to illustrate to our clients’ how to introduce biophilia in sophisticated ways.

At the heart of it, Find Your 30 is about the experience of a place. Experience is defined by the culture – it’s the feeling you carry with you after you leave. It is the layering of information and how it eventually comes together as a cohesive story. It is about the things that make a space memorable. So when a design team adapts design standards appropriately and insightfully, within the context of the 70%-30% rule, the result is a space that supports and enhances your organization’s message, mission and values.

About the Author
Stephanie L’Estrange is Principal/Director of Interior Design for Taylor Design, a multidiscipline design firm with five offices in California.

Related Stories

| Apr 11, 2014

First look: KPF's designs for DreamWorks in the massive Shanghai DreamCenter

Two blocks of offices will be centerpiece of new cultural and lifestyle district in the West Bund Media Port.

| Apr 9, 2014

Steel decks: 11 tips for their proper use | BD+C

Building Teams have been using steel decks with proven success for 75 years. Building Design+Construction consulted with technical experts from the Steel Deck Institute and the deck manufacturing industry for their advice on how best to use steel decking.

| Apr 2, 2014

8 tips for avoiding thermal bridges in window applications

Aligning thermal breaks and applying air barriers are among the top design and installation tricks recommended by building enclosure experts.

| Mar 31, 2014

Removable flood prevention system installed in one of New York City's largest office buildings

EKO Flood Protection created a flood prevention solution for one of New York City's largest office buildings, 55 Water Street, that can be put up in 8 hours by a crew of 30 people. 

| Mar 26, 2014

Callison launches sustainable design tool with 84 proven strategies

Hybrid ventilation, nighttime cooling, and fuel cell technology are among the dozens of sustainable design techniques profiled by Callison on its new website, Matrix.Callison.com. 

| Mar 25, 2014

World's tallest towers: Adrian Smith, Gordon Gill discuss designing Burj Khalifa, Kingdom Tower

The design duo discusses the founding of Adrian Smith + Gordon Gill Architects and the design of the next world's tallest, Kingdom Tower, which will top the Burj Khalifa by as much as a kilometer.

| Mar 24, 2014

Frank Lloyd Wright's S.C. Johnson Research Tower to open to the public—32 years after closing

The 14-story tower, one of only two Wright-designed high-rises to be built, has been off limits to the public since its construction in 1950.

| Mar 21, 2014

Forget wood skyscrapers - Check out these stunning bamboo high-rise concepts [slideshow]

The Singapore Bamboo Skyscraper competition invited design teams to explore the possibilities of using bamboo as the dominant material in a high-rise project for the Singapore skyline. 

| Mar 20, 2014

Common EIFS failures, and how to prevent them

Poor workmanship, impact damage, building movement, and incompatible or unsound substrate are among the major culprits of EIFS problems. 

| Mar 20, 2014

D.C. breaks ground on $2B mega waterfront development [slideshow]

When complete, the Wharf will feature approximately 3 million sf of new residential, office, hotel, retail, cultural, and public uses, including waterfront parks, promenades, piers, and docks.

boombox1
boombox2
native1

More In Category

Government Buildings

OSHA’s proposed heat standard published in Federal Register

The Occupational Safety and Health Administration (OSHA) has published a proposed standard addressing heat illness in outdoor and indoor settings in the Federal Register. The proposed rule would require employers to evaluate workplaces and implement controls to mitigate exposure to heat through engineering and administrative controls, training, effective communication, and other measures.




halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021