Diébédo Francis Kéré, architect, educator and social activist, has been selected as the 2022 Laureate of the Pritzker Architecture Prize, announced Tom Pritzker, Chairman of The Hyatt Foundation, which sponsors the award that is regarded internationally as architecture’s highest honor.
“I am hoping to change the paradigm, push people to dream and undergo risk. It is not because you are rich that you should waste material. It is not because you are poor that you should not try to create quality,” says Kéré. “Everyone deserves quality, everyone deserves luxury, and everyone deserves comfort. We are interlinked and concerns in climate, democracy and scarcity are concerns for us all.”
Born in Gando, Burkina Faso and based in Berlin, Germany, the architect known as Francis Kéré empowers and transforms communities through the process of architecture. Through his commitment to social justice and engagement, and intelligent use of local materials to connect and respond to the natural climate, he works in marginalized countries laden with constraints and adversity, where architecture and infrastructure are absent. Building contemporary school institutions, health facilities, professional housing, civic buildings and public spaces, oftentimes in lands where resources are fragile and fellowship is vital, the expression of his works exceeds the value of a building itself.
“Francis Kéré is pioneering architecture - sustainable to the earth and its inhabitants – in lands of extreme scarcity. He is equally architect and servant, improving upon the lives and experiences of countless citizens in a region of the world that is at times forgotten,” comments Pritzker. “Through buildings that demonstrate beauty, modesty, boldness and invention, and by the integrity of his architecture and geste, Kéré gracefully upholds the mission of this Prize.”
Gando Primary School (2001, Gando, Burkina Faso) established the foundation for Kéré’s ideology– building a wellspring with and for a community to fulfill an essential need and redeem social inequities. His response required a dual solution – a physical and contemporary design for a facility that could combat extreme heat and poor lighting conditions with limited resources, and a social resoluteness to overcome incertitude from within the community. He fundraised internationally, while creating invariable opportunities for local citizens, from conception to vocational craftsmanship training. Indigenous clay was fortified with cement to form bricks with bioclimatic thermal mass, retaining cooler air inside while allowing heat to escape through a brick ceiling and wide, overhanging, elevated roof, resulting in ventilation without the mechanical intervention of air conditioning. The success of this project increased the school’s student body from 120 to 700 students, and catalyzed Teachers’ Housing (2004, Gando, Burkina Faso), an Extension (2008, Gando, Burkina Faso) and Library (2019, Gando, Burkina Faso).
![Benga Riverside School @ Francis Kéré (5).jpeg](/sites/default/files/inline-images/Benga%20Riverside%20School%20%40%20Francis%20Ke%CC%81re%CC%81%20%20%285%29.jpeg)
The 2022 Jury Citation states, in part, “He knows, from within, that architecture is not about the object but the objective; not the product, but the process. Francis Kéré’s entire body of work shows us the power of materiality rooted in place. His buildings, for and with communities, are directly of those communities – in their making, their materials, their programs and their unique characters.”
The impact of his work in primary and secondary schools catalyzed the inception of many institutions, each demonstrating sensitivity to bioclimatic environments and sustainability distinctive to locality, and impacting many generations. Startup Lions Campus (2021, Turkana, Kenya), an information and communication technologies campus, uses local quarry stone and stacked towers for passive cooling to minimize the air conditioning required to protect technology equipment. Burkina Institute of Technology (Phase I, 2020, Koudougou, Burkina Faso) is composed of cooling clay walls that were cast in-situ to accelerate the building process. Overhanging eucalyptus, regarded as inefficient due to its minimal shading abilities yet depletion of nutrients from the soil, were repurposed to line the angled corrugated metal roofs, which protect the building during the country’s brief rainy reason, and rainwater is collected underground to irrigate mango plantations on the premises.
The national confidence and embrace of Kéré has prompted one of the architect’s most pivotal and ambitious projects, the National Assembly of Burkina Faso (Ouagadougou, Burkina Faso), which was commissioned, although remains unbuilt amidst present uncertain times. After the Burkinabè uprising in 2014 destroyed the former structure, the architect designed a stepped and lattice pyramidal building, housing a 127-person assembly hall on the interior, while encouraging informal congregation on the exterior. Enabling new views, physically and metaphorically, this is one piece to a greater master plan, envisioned to include indigenous flora, exhibition spaces, courtyards, and a monument to those who lost their lives in protest of the old regime.
A poetic expression of light is consistent throughout Kéré’s works. Rays of sun filter into buildings, courtyards and intermediary spaces, overcoming harsh midday conditions to offer places of serenity or gathering. The concrete roof of Gando Primary School Library was poured around a grid of traditional clay pots, that once extracted, left openings allowing heat to escape while circular beams of natural light could linger and illuminate the interiors. A facade constructed of eucalyptus wood surrounds the elliptical building, creating flexible outdoor spaces that emit light vertically. Benga Riverside School (2018, Tete, Mozambique) features walls patterned with small recurring voids, allowing light and transparency to evoke feelings of trust from its students. The walls of Centre for Health and Social Welfare (2014, Laongo, Burkina Faso) are adorned with a pattern of framed windows at varying heights to offer picturesque views of the landscape for everyone, from a standing doctor to a sitting visitor to a lying patient.
![Sarbalé Ke @ Iwan Baan (6).jpeg](/sites/default/files/inline-images/Sarbale%CC%81%20Ke%20%40%20Iwan%20Baan%20%286%29.jpeg)
The Citation continues, “In a world in crisis, amidst changing values and generations, he reminds us of what has been, and will undoubtably continue to be a cornerstone of architectural practice: a sense of community and narrative quality, which he himself is so able to recount with compassion and pride. In this he provides a narrative in which architecture can become a source of continued and lasting happiness and joy.”
Kéré’s designs are laced with symbolism and his works outside of Africa are influenced by his upbringing and experiences in Gando. The West African tradition of communing under a sacred tree to exchange ideas, narrate stories, celebrate and assemble, is recurrent throughout. Sarbalé Ke at Coachella Valley Music and Arts Festival (2019, California, United States) translates to “House of Celebration” in his native Bissa language, and references the shape of the hollowing baobab tree, revered in his homeland for its medicinal properties. The Serpentine Pavilion (2017, London, United Kingdom) also takes its central shape from the form of a tree and its disconnected yet curved walls are formed by triangular indigo modules, identifying with a color representing strength in his culture and more personally, a blue boubou garment worn by the architect as a child. The detached roof resonates with that of his buildings in Africa, but inside the pavilion, rainwater funnels into the center of the structure, highlighting water scarcity that is experienced worldwide. The Benin National Assembly (Porto-Novo, Republic of Benin), currently under construction and situated on a public park, is inspired by the palaver tree. While parliament convenes on the inside, citizens may also assemble under the vast shade at the base of the building.
Many of Kéré’s built works are located in Africa, in countries including the Republic of Benin, Burkino Faso, Mali, Togo, Kenya, Mozambique, Togo, and Sudan. Pavilions and installations and have been created in Denmark, Germany, Italy, Switzerland, the United Kingdom and the United States. Significant works also include Xylem at Tippet Rise Art Centre (2019, Montana, United States), Léo Doctors’ Housing (2019, Léo, Burkina Faso), Lycée Schorge Secondary School (2016, Koudougou, Burkina Faso), the National Park of Mali (2010, Bamako, Mali) and Opera Village (Phase I, 2010, Laongo, Burkina Faso).
Kéré established Kéré Foundation in 1998 to serve the inhabitants of Gando through the development of projects, partnerships and fundraising; and Kéré Architecture in 2005 in Berlin, Germany. Kéré is the 51st Laureate of the Pritzker Architecture Prize, and is a dual citizen of Burkina Faso and Germany.
![LÇo Complex @ Francis Kéré (5).jpeg](/sites/default/files/inline-images/LC%CC%A7o%20Complex%20%40%20Francis%20Ke%CC%81re%CC%81%20%285%29.jpeg)
![National Park of Mali @ Francis Kéré (1).jpeg](/sites/default/files/inline-images/National%20Park%20of%20Mali%20%40%20Francis%20Ke%CC%81re%CC%81%20%281%29.jpeg)
Related Stories
| Feb 22, 2011
LEED Volume Program celebrates its 500th certified Pilot Project
More than 500 building projects have certified through the LEED Volume Program since the pilot launched in 2006, according to the U.S. Green Building Council. The LEED Volume Program streamlines the certification process for high-volume property owners and managers, from commercial real estate firms, national retailers and hospitality providers, to local, state and federal governments.
| Feb 22, 2011
HDR Architecture names four healthcare directors
Four senior professionals in HDR Architecture’s healthcare program have been named Healthcare directors.
| Feb 15, 2011
Iconic TWA terminal may reopen as a boutique hotel
The Port Authority of New York and New Jersey hopes to squeeze a hotel with about 150 rooms in the space between the old TWA terminal and the new JetBlue building. The old TWA terminal would serve as an entry to the hotel and hotel lobby, which would also contain restaurants and shops.
| Feb 15, 2011
New Orleans' rebuilt public housing architecture gets mixed reviews
The architecture of New Orleans’ new public housing is awash with optimism about how urban-design will improve residents' lives—but the changes are based on the idealism of an earlier era that’s being erased and revised.
| Feb 15, 2011
LAUSD commissions innovative prefab prototypes for future building
The LA Unified School District, under the leadership of a new facilities director, reversed course regarding prototypes for its new schools and engaged architects to create compelling kit-of-parts schemes that are largely prefabricated.
| Feb 15, 2011
New 2030 Challenge to include carbon footprint of building materials and products
Architecture 2030 has just broadened the scope of its 2030 Challenge, issuing an additional challenge regarding the climate impact of building products. The 2030 Challenge for Products aims to reduce the embodied carbon (meaning the carbon emissions equivalent) of building products 50% by 2030.
| Feb 15, 2011
New Urbanist Andrés Duany: We need a LEED Brown rating
Andrés Duany advocates a "LEED Brown" rating that would give contractors credit for using traditional but low cost measures that are not easy to quantify or certify. He described these steps as "the original green," and "what we did when we didn't have money." Ostensibly, LEED Brown would be in addition to the current Silver, Gold and Platinum ratings.
| Feb 15, 2011
AIA on President Obama's proposed $1 billion investment in energy conservation
The President’s budget increases the value of investment in energy conservation in commercial buildings by roughly $1 billion, reports AIA 2011 President Clark Manus, FAIA. The significant increase from the current tax deduction of $1.80 per sq. ft. now on the books is an increase for which the AIA has been advocating in order to encourage energy conservation.