flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Cuyahoga County Soldiers’ and Sailors’ Monument, Cleveland, Ohio

Cuyahoga County Soldiers’ and Sailors’ Monument, Cleveland, Ohio


By By Robert Cassidy, Editorial Director | October 12, 2010

The Cuyahoga County Soldiers’ and Sailors’ Monument was dedicated on the Fourth of July, 1894, to honor the memory of the more than 9,000 Cuyahoga County veterans of the Civil War. The small but impressive structure, with a 125-foot column topped by a statue named “Goddess of Freedom,” holds a place of prominence in Cleveland’s Public Square.

In August 2006, the Cuyahoga County Commissioners called for a modest renovation, cleaning, and relighting of the monument, under the supervision of county architect Berj A. Shakarian, AIA, CSI. The $1 million cost was to be raised by a nonprofit foundation, the Soldiers’ and Sailors’ Monument Support Group.

Extensive research by the Cleveland design firm Westlake Reed Leskosky (with Peter van Dijk, FAIA) determined that more extensive work was required than originally anticipated. The roof needed re-caulking. The marble tablets were bent out of shape and discolored. The stained-glass windows needed restoration. In all, the cost would double. Undeterred, the support group raised nearly $2 million from state and county funds and contributions from foundations, businesses, veterans’ groups, and private individuals.

The work began in late 2008. Perhaps the most unusual technical problem had to do with the commemorative tablets. The 4x7-foot slabs, about an inch thick, each weighing 350 pounds, had to be cleaned so that the marble veining could show through the original yellow tint. The traditional technique, mud-based poultice, was ruled out. Research determined that a latex-based cleaning product, if applied and allowed to dry for 13-15 hours, would form a film that could be peeled off. Though tedious, the technique cut the usual cleaning time from three months to three weeks.

Many of the many of the marble slabs were bent out of shape, and the Building Team considered using a method developed by Lord Raleigh in the 1920s—soak the slabs in hot water and bend them back under pressure—but the National Park Service nixed the idea. Instead, to at least stabilize the slabs, the team installed a fin-tube heating system, dehumidifiers, and air-conditioning to control the humidity that was deemed to be the likely cause of the distortion problem.

Detailed research into the marble decoration revealed that the monument had three levels of coloration: tinting (to allow the veining to show through); marbleizing (where veining is augmented or added); and ornamentation (where both tinting and marbleizing are used along with non-opaque colors).

Balancing their research findings, the demands of historical accuracy, and aesthetic interpretation, the team developed a palette of eight colors to restore the original polychromatic interior marbles to their original brilliance. Careful attention was paid to sealing the finishes.

Fourteen Tiffany-style stained-glass windows—two above the entry doors depicting sunrise and sunset, the other 12 portraying military regalia and imagery—were found to be bulging or missing glass. Team members traveled to Chicago to find perfect matches for the missing glass, and the windows were disassembled, repaired, cleaned, and reinstalled.

To enhance the visitor experience, new fluorescent, track, and LED lighting was carefully balanced to enhance the freshly tinted and re-inked lettering of the marble tablets and highlight various accent items.

The final touch had to do with a bronze relief of President Lincoln. Photographic research showed that, as late as 1932, Lincoln was holding the shackles of a freed slave in his right hand, but the shackles had gone missing for more than 40 years. The Building Team restored the shackles in time for the grand reopening last June.

“The research was the most difficult part,” said jurist Tom Brooks, VP, Restoration Division, Berglund Construction, Chicago. Added judge Darlene Ebel, Director, Facilities Information Management, University of Illinois at Chicago, “Restraint was used. It takes a lot of judgment to decide what level of restoration to do. What they did was absolutely right.”

“This is an inspiring project,” said George Karl Tuhowski, III, LEED AP, general superintendent, Leopardo Construction, Hoffman Estates, Ill. “No stone was left unturned.” BD+C

PROJECT SUMMARY

Building Team

Submitting firm: Soldiers’ and Sailors’ Monument Support Group

Owner: Cuyahoga County Soldiers’ and Sailors’ Monument Commission

Architect/Interior design/MEP engineer/Historic specialist: Westlake Reed  Leskosky with Peter van Dijk, FAIA

GC: EnviroCom Construction, Inc.

General Information

Size: 1,600 gsf with 125-foot column and statue

Construction cost: $2.0 million

Construction period: May 2009 to May 2010

Delivery method: Design-bid-build

Related Stories

| Dec 10, 2013

16 great solutions for architects, engineers, and contractors

From a crowd-funded smart shovel to a why-didn’t-someone-do-this-sooner scheme for managing traffic in public restrooms, these ideas are noteworthy for creative problem-solving. Here are some of the most intriguing innovations the BD+C community has brought to our attention this year.

| Dec 9, 2013

Tips for designing higher education's newest building type: the learning commons

In this era of scaled-down budgets, maximized efficiencies, new learning methods and social media’s domination of face time, college and university campuses are gravitating toward a new space type: the learning commons.

| Dec 9, 2013

Does technology help or hinder innovation?

Whether digital technology will help or hinder workplace insights remains a topic of ongoing debate. FastCo.Design features insights from business scholars on both sides of the issue.

| Dec 6, 2013

French concert hall includes integrated musical elements [VIDEO]

La Métaphone, a concert hall in Ognies, France, is a 1,980-sm facility with the unique characteristic of being a structural musical instrument. The solar-powered building incorporates musical elements in its walls, which can be played by musicians inside or outside the facility.

| Dec 6, 2013

Goettsch Partners selected 2013 AIA Chicago Firm of the Year

Architecture firm Goettsch Partners (GP) has been named the 2013 Firm of the Year, as conferred by the Chicago chapter of the American Institute of Architects (AIA Chicago). The award is the highest honor a firm can receive from the chapter.

| Dec 5, 2013

Maximizing the impact of online marketing

Because most professional services firms exist to help their clients reduce risk and navigate an uncertain future, they tend to approach the world of online or digital marketing with some caution. Here are four tips for maximizing the impact of online marketing.

| Dec 5, 2013

Translating design intent from across the globe

I recently attended the Bentley User Conference in Vejle, Denmark. I attended the event primarily to get a sense for the challenges our Danish counterparts are experiencing in project delivery and digital communication. One story I heard was from a BIM manager with Henning Larsen Architects in Denmark, who told me about a project she’d recently completed overseas in the Middle East. She outlined two distinct challenges and offered some interesting solutions to those challenges. 

| Dec 3, 2013

‘BIM for all’ platform pays off for contractor

Construction giant JE Dunn is saving millions in cost avoidances by implementing a custom, cloud-based BIM/VDC collaboration platform.

| Dec 3, 2013

Historic Daytona International Speedway undergoing $400 million facelift

The Daytona International Speedway is zooming ahead on the largest renovation in the Florida venue’s 54-year history. Improvements include five redesigned guest entrances, an extended grandstand with 101,000 new seats, and more than 60 new trackside suites for corporate entertaining.

| Dec 3, 2013

Creating a healthcare capital project plan: The truth behind the numbers

When setting up a capital project plan, it's one thing to have the data, but quite another to have the knowledge of the process. 

boombox1
boombox2
native1

More In Category


Museums

UT Dallas opens Morphosis-designed Crow Museum of Asian Art

In Richardson, Tex., the University of Texas at Dallas has opened a second location for the Crow Museum of Asian Art—the first of multiple buildings that will be part of a 12-acre cultural district. When completed, the arts and performance complex, called the Edith and Peter O’Donnell Jr. Athenaeum, will include two museums, a performance hall and music building, a grand plaza, and a dedicated parking structure on the Richardson campus.



halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021