The Cuyahoga County Soldiers’ and Sailors’ Monument was dedicated on the Fourth of July, 1894, to honor the memory of the more than 9,000 Cuyahoga County veterans of the Civil War. The small but impressive structure, with a 125-foot column topped by a statue named “Goddess of Freedom,” holds a place of prominence in Cleveland’s Public Square.
In August 2006, the Cuyahoga County Commissioners called for a modest renovation, cleaning, and relighting of the monument, under the supervision of county architect Berj A. Shakarian, AIA, CSI. The $1 million cost was to be raised by a nonprofit foundation, the Soldiers’ and Sailors’ Monument Support Group.
Extensive research by the Cleveland design firm Westlake Reed Leskosky (with Peter van Dijk, FAIA) determined that more extensive work was required than originally anticipated. The roof needed re-caulking. The marble tablets were bent out of shape and discolored. The stained-glass windows needed restoration. In all, the cost would double. Undeterred, the support group raised nearly $2 million from state and county funds and contributions from foundations, businesses, veterans’ groups, and private individuals.
The work began in late 2008. Perhaps the most unusual technical problem had to do with the commemorative tablets. The 4x7-foot slabs, about an inch thick, each weighing 350 pounds, had to be cleaned so that the marble veining could show through the original yellow tint. The traditional technique, mud-based poultice, was ruled out. Research determined that a latex-based cleaning product, if applied and allowed to dry for 13-15 hours, would form a film that could be peeled off. Though tedious, the technique cut the usual cleaning time from three months to three weeks.
Many of the many of the marble slabs were bent out of shape, and the Building Team considered using a method developed by Lord Raleigh in the 1920s—soak the slabs in hot water and bend them back under pressure—but the National Park Service nixed the idea. Instead, to at least stabilize the slabs, the team installed a fin-tube heating system, dehumidifiers, and air-conditioning to control the humidity that was deemed to be the likely cause of the distortion problem.
Detailed research into the marble decoration revealed that the monument had three levels of coloration: tinting (to allow the veining to show through); marbleizing (where veining is augmented or added); and ornamentation (where both tinting and marbleizing are used along with non-opaque colors).
Balancing their research findings, the demands of historical accuracy, and aesthetic interpretation, the team developed a palette of eight colors to restore the original polychromatic interior marbles to their original brilliance. Careful attention was paid to sealing the finishes.
Fourteen Tiffany-style stained-glass windows—two above the entry doors depicting sunrise and sunset, the other 12 portraying military regalia and imagery—were found to be bulging or missing glass. Team members traveled to Chicago to find perfect matches for the missing glass, and the windows were disassembled, repaired, cleaned, and reinstalled.
To enhance the visitor experience, new fluorescent, track, and LED lighting was carefully balanced to enhance the freshly tinted and re-inked lettering of the marble tablets and highlight various accent items.
The final touch had to do with a bronze relief of President Lincoln. Photographic research showed that, as late as 1932, Lincoln was holding the shackles of a freed slave in his right hand, but the shackles had gone missing for more than 40 years. The Building Team restored the shackles in time for the grand reopening last June.
“The research was the most difficult part,” said jurist Tom Brooks, VP, Restoration Division, Berglund Construction, Chicago. Added judge Darlene Ebel, Director, Facilities Information Management, University of Illinois at Chicago, “Restraint was used. It takes a lot of judgment to decide what level of restoration to do. What they did was absolutely right.”
“This is an inspiring project,” said George Karl Tuhowski, III, LEED AP, general superintendent, Leopardo Construction, Hoffman Estates, Ill. “No stone was left unturned.” BD+C
PROJECT SUMMARY
Building Team
Submitting firm: Soldiers’ and Sailors’ Monument Support Group
Owner: Cuyahoga County Soldiers’ and Sailors’ Monument Commission
Architect/Interior design/MEP engineer/Historic specialist: Westlake Reed Leskosky with Peter van Dijk, FAIA
GC: EnviroCom Construction, Inc.
General Information
Size: 1,600 gsf with 125-foot column and statue
Construction cost: $2.0 million
Construction period: May 2009 to May 2010
Delivery method: Design-bid-build
Related Stories
| Jan 23, 2014
Think you can recognize a metal building from the outside?
What looks like brick, stucco or wood on the outside could actually be a metal building. Metal is no longer easily detectable. It’s gotten sneakier visually. And a great example of that is the Madison Square retail center in Norman, Okla.
| Jan 23, 2014
3 fatal flaws your architecture firm has right now
After visiting over 200 architecture firms, I was aghast that so many of them were committing these costly sins of mismanagement and miscommunication, without even realizing it. If I can stop even one more firm from shooting its own foot, then this is worth it.
| Jan 22, 2014
SOM-designed University Center uses 'sky quads,' stacked staircases to promote chance encounters
The New School's vertical campus in Manhattan houses multiple functions, including labs, design studios, a library, and student residences, in a 16-story building.
| Jan 22, 2014
Architecture Billings Index sees first back-to-back decline since mid-2012
The AIA's Architecture Billings Index dipped for the second consecutive month in December—the first consecutive months of contraction since May and June of 2012.
| Jan 21, 2014
Comcast to build second Philadelphia skyscraper, with Norman Foster-designed tower [slideshow]
The British architect last week unveiled his scheme for the $1.2 billion, 59-story Comcast Innovation and Technology Center, planned adjacent to the Comcast Center.
| Jan 21, 2014
2013: The year of the super-tall skyscraper
Last year was the second-busiest ever in terms of 200-meter-plus building completions, with 73 towers, according to a report by the Council on Tall Buildings and Urban Habitat.
| Jan 20, 2014
BUILDINGChicago/Greening the Heartland Conference 'call for 2014 educational proposals' is now open
The conference and exposition will take place September 29-October 1, 2014, at North America’s largest LEED Gold-certified hotel, the Holiday Inn Chicago Mart Plaza. Deadline for proposals is February 28, 2014.
| Jan 17, 2014
Crystal Bridges Museum will move Frank Lloyd Wright house from New Jersey to Arkansas
Numerous architectural experts have concluded that moving the Bachman Wilson House offers its best hope for long-term survival.
| Jan 17, 2014
Australian project transforms shipping containers into serene workplace
Australian firm Royal Wolf has put its money where its mouth is by creating an office facility out of shipping containers at its depot and fabrication center in Sunshine, Victoria.
| Jan 17, 2014
The Starchitect of Oz: New Gehry building in Sydney celebrates topping out
The Dr. Chau Chak Wing Building at the University of Technology, Sydney, will mark Frank Gehry's debut project in the Australian metro.