flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Cuyahoga County Soldiers’ and Sailors’ Monument, Cleveland, Ohio

Cuyahoga County Soldiers’ and Sailors’ Monument, Cleveland, Ohio


By By Robert Cassidy, Editorial Director | October 12, 2010

The Cuyahoga County Soldiers’ and Sailors’ Monument was dedicated on the Fourth of July, 1894, to honor the memory of the more than 9,000 Cuyahoga County veterans of the Civil War. The small but impressive structure, with a 125-foot column topped by a statue named “Goddess of Freedom,” holds a place of prominence in Cleveland’s Public Square.

In August 2006, the Cuyahoga County Commissioners called for a modest renovation, cleaning, and relighting of the monument, under the supervision of county architect Berj A. Shakarian, AIA, CSI. The $1 million cost was to be raised by a nonprofit foundation, the Soldiers’ and Sailors’ Monument Support Group.

Extensive research by the Cleveland design firm Westlake Reed Leskosky (with Peter van Dijk, FAIA) determined that more extensive work was required than originally anticipated. The roof needed re-caulking. The marble tablets were bent out of shape and discolored. The stained-glass windows needed restoration. In all, the cost would double. Undeterred, the support group raised nearly $2 million from state and county funds and contributions from foundations, businesses, veterans’ groups, and private individuals.

The work began in late 2008. Perhaps the most unusual technical problem had to do with the commemorative tablets. The 4x7-foot slabs, about an inch thick, each weighing 350 pounds, had to be cleaned so that the marble veining could show through the original yellow tint. The traditional technique, mud-based poultice, was ruled out. Research determined that a latex-based cleaning product, if applied and allowed to dry for 13-15 hours, would form a film that could be peeled off. Though tedious, the technique cut the usual cleaning time from three months to three weeks.

Many of the many of the marble slabs were bent out of shape, and the Building Team considered using a method developed by Lord Raleigh in the 1920s—soak the slabs in hot water and bend them back under pressure—but the National Park Service nixed the idea. Instead, to at least stabilize the slabs, the team installed a fin-tube heating system, dehumidifiers, and air-conditioning to control the humidity that was deemed to be the likely cause of the distortion problem.

Detailed research into the marble decoration revealed that the monument had three levels of coloration: tinting (to allow the veining to show through); marbleizing (where veining is augmented or added); and ornamentation (where both tinting and marbleizing are used along with non-opaque colors).

Balancing their research findings, the demands of historical accuracy, and aesthetic interpretation, the team developed a palette of eight colors to restore the original polychromatic interior marbles to their original brilliance. Careful attention was paid to sealing the finishes.

Fourteen Tiffany-style stained-glass windows—two above the entry doors depicting sunrise and sunset, the other 12 portraying military regalia and imagery—were found to be bulging or missing glass. Team members traveled to Chicago to find perfect matches for the missing glass, and the windows were disassembled, repaired, cleaned, and reinstalled.

To enhance the visitor experience, new fluorescent, track, and LED lighting was carefully balanced to enhance the freshly tinted and re-inked lettering of the marble tablets and highlight various accent items.

The final touch had to do with a bronze relief of President Lincoln. Photographic research showed that, as late as 1932, Lincoln was holding the shackles of a freed slave in his right hand, but the shackles had gone missing for more than 40 years. The Building Team restored the shackles in time for the grand reopening last June.

“The research was the most difficult part,” said jurist Tom Brooks, VP, Restoration Division, Berglund Construction, Chicago. Added judge Darlene Ebel, Director, Facilities Information Management, University of Illinois at Chicago, “Restraint was used. It takes a lot of judgment to decide what level of restoration to do. What they did was absolutely right.”

“This is an inspiring project,” said George Karl Tuhowski, III, LEED AP, general superintendent, Leopardo Construction, Hoffman Estates, Ill. “No stone was left unturned.” BD+C

PROJECT SUMMARY

Building Team

Submitting firm: Soldiers’ and Sailors’ Monument Support Group

Owner: Cuyahoga County Soldiers’ and Sailors’ Monument Commission

Architect/Interior design/MEP engineer/Historic specialist: Westlake Reed  Leskosky with Peter van Dijk, FAIA

GC: EnviroCom Construction, Inc.

General Information

Size: 1,600 gsf with 125-foot column and statue

Construction cost: $2.0 million

Construction period: May 2009 to May 2010

Delivery method: Design-bid-build

Related Stories

| Jun 9, 2014

10 projects named 2014 AIA Small Project Award winners

Yale's funky new Ground café and a pavilion made from 53,780 recycled plastic bottles are among the nation's best new small projects. 

| Jun 9, 2014

Eli Broad museum files $19.8 million lawsuit over delays

The museum, meant to hold Eli and Edythe Borad's collection of contemporary art, is suing the German company Seele for what the museum describes as delays in the creation of building blocks for its façade.

| Jun 8, 2014

What’s the word of the day? It’s all about ‘resiliency’

Just for the sake of argument, let’s put aside the rhetoric about climate change—whether it’s actually happening, whether it’s a result of manmade activity—and agree that we are experiencing some pretty dramatic weather events that are having huge impacts on populations here in the U.S. and worldwide.

Smart Buildings | Jun 8, 2014

Big Data: How one city took control of its facility assets with data

Over the past few years, Buffalo has developed a cutting-edge facility management program to ensure it's utilizing its facilities and operations as efficiently, effectively, and sustainably as possible. 

| Jun 6, 2014

Must see: Can a floating city offset urban population growth in China?

AT Design Office has proposed a design for a floating city to offset increasing urban populations in China. To create the new city, a 10-square kilometer island would be made out of prefab blocks. 

| Jun 6, 2014

KPF, Kevin Roche unveil design for 51-story Hudson Yards tower in NYC [slideshow]

Related Companies and Oxford Properties Group are teaming to develop Fifty Five Hudson Yards, the latest addition to the commercial office tower collection in the 28-acre Hudson Yards development—the largest private real estate development in the history of the U.S.

| Jun 6, 2014

Shipping container ship terminal completed in Spain

In Seville, Spain, architectural firms Hombre de Piedra and Buró4 have designed and completed a cruise ship terminal out of used shipping containers.

| Jun 5, 2014

International Parking Institute names best new parking structures

Winners include garages that are architectural delights, an airport's canopied parking atrium, and an environmentally friendly garage under America's oldest park.

| Jun 4, 2014

Emerging trends in healthcare development: neighborhood care, mixed-use models on the rise

In urban and even suburban markets, real estate is about the "live, work, play," with close proximity to mass transit and other amenities, like retail stores. Healthcare organizations are following suit.

| Jun 4, 2014

Want to design a Guggenheim? Foundation launches open competition for proposed Helsinki museum

This is the first time the Guggenheim Foundation has sought a design through an open competition. Anonymous submissions for stage one of the competition are due September 10, 2014.

boombox1
boombox2
native1

More In Category

Museums

UT Dallas opens Morphosis-designed Crow Museum of Asian Art

In Richardson, Tex., the University of Texas at Dallas has opened a second location for the Crow Museum of Asian Art—the first of multiple buildings that will be part of a 12-acre cultural district. When completed, the arts and performance complex, called the Edith and Peter O’Donnell Jr. Athenaeum, will include two museums, a performance hall and music building, a grand plaza, and a dedicated parking structure on the Richardson campus.




halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021