The Cuyahoga County Soldiers’ and Sailors’ Monument was dedicated on the Fourth of July, 1894, to honor the memory of the more than 9,000 Cuyahoga County veterans of the Civil War. The small but impressive structure, with a 125-foot column topped by a statue named “Goddess of Freedom,” holds a place of prominence in Cleveland’s Public Square.
In August 2006, the Cuyahoga County Commissioners called for a modest renovation, cleaning, and relighting of the monument, under the supervision of county architect Berj A. Shakarian, AIA, CSI. The $1 million cost was to be raised by a nonprofit foundation, the Soldiers’ and Sailors’ Monument Support Group.
Extensive research by the Cleveland design firm Westlake Reed Leskosky (with Peter van Dijk, FAIA) determined that more extensive work was required than originally anticipated. The roof needed re-caulking. The marble tablets were bent out of shape and discolored. The stained-glass windows needed restoration. In all, the cost would double. Undeterred, the support group raised nearly $2 million from state and county funds and contributions from foundations, businesses, veterans’ groups, and private individuals.
The work began in late 2008. Perhaps the most unusual technical problem had to do with the commemorative tablets. The 4x7-foot slabs, about an inch thick, each weighing 350 pounds, had to be cleaned so that the marble veining could show through the original yellow tint. The traditional technique, mud-based poultice, was ruled out. Research determined that a latex-based cleaning product, if applied and allowed to dry for 13-15 hours, would form a film that could be peeled off. Though tedious, the technique cut the usual cleaning time from three months to three weeks.
Many of the many of the marble slabs were bent out of shape, and the Building Team considered using a method developed by Lord Raleigh in the 1920s—soak the slabs in hot water and bend them back under pressure—but the National Park Service nixed the idea. Instead, to at least stabilize the slabs, the team installed a fin-tube heating system, dehumidifiers, and air-conditioning to control the humidity that was deemed to be the likely cause of the distortion problem.
Detailed research into the marble decoration revealed that the monument had three levels of coloration: tinting (to allow the veining to show through); marbleizing (where veining is augmented or added); and ornamentation (where both tinting and marbleizing are used along with non-opaque colors).
Balancing their research findings, the demands of historical accuracy, and aesthetic interpretation, the team developed a palette of eight colors to restore the original polychromatic interior marbles to their original brilliance. Careful attention was paid to sealing the finishes.
Fourteen Tiffany-style stained-glass windows—two above the entry doors depicting sunrise and sunset, the other 12 portraying military regalia and imagery—were found to be bulging or missing glass. Team members traveled to Chicago to find perfect matches for the missing glass, and the windows were disassembled, repaired, cleaned, and reinstalled.
To enhance the visitor experience, new fluorescent, track, and LED lighting was carefully balanced to enhance the freshly tinted and re-inked lettering of the marble tablets and highlight various accent items.
The final touch had to do with a bronze relief of President Lincoln. Photographic research showed that, as late as 1932, Lincoln was holding the shackles of a freed slave in his right hand, but the shackles had gone missing for more than 40 years. The Building Team restored the shackles in time for the grand reopening last June.
“The research was the most difficult part,” said jurist Tom Brooks, VP, Restoration Division, Berglund Construction, Chicago. Added judge Darlene Ebel, Director, Facilities Information Management, University of Illinois at Chicago, “Restraint was used. It takes a lot of judgment to decide what level of restoration to do. What they did was absolutely right.”
“This is an inspiring project,” said George Karl Tuhowski, III, LEED AP, general superintendent, Leopardo Construction, Hoffman Estates, Ill. “No stone was left unturned.” BD+C
PROJECT SUMMARY
Building Team
Submitting firm: Soldiers’ and Sailors’ Monument Support Group
Owner: Cuyahoga County Soldiers’ and Sailors’ Monument Commission
Architect/Interior design/MEP engineer/Historic specialist: Westlake Reed Leskosky with Peter van Dijk, FAIA
GC: EnviroCom Construction, Inc.
General Information
Size: 1,600 gsf with 125-foot column and statue
Construction cost: $2.0 million
Construction period: May 2009 to May 2010
Delivery method: Design-bid-build
Related Stories
| Aug 14, 2014
Museum of Mayan Culture draws inspiration from temple design [slideshow]
The Museo Maya de América in Guatemala City will be the world’s largest museum of Mayan history and culture, at 60,000 sf.
| Aug 14, 2014
How workplace design can empower employees, businesses
Focusing on recent work at Follett and Zurich, CannonDesign’ Meg Osman reveals the power of research, strategy, change management, and measurement to transform businesses for the better.
| Aug 13, 2014
UIA commits to phasing out CO2 emissions in built environment
The International Union of Architects, representing approximately 2.3 million architects worldwide, has unanimously adopted the 2050 Imperative committing to environmental and social sustainability.
| Aug 13, 2014
ADD Inc. to merge with Stantec
The deal, which helps Stantec strengthen its capabilities in the buildings business on the East Coast, is expected to close in September.
| Aug 13, 2014
Campus UX: Why universities should be creating 'branded environments' on campus
When most colleges and universities consider their brands, they rarely venture beyond the design and implementation of a logo, writes Gensler Design Director Brian Brindisi.
| Aug 12, 2014
Vietnam's 'dragonfly in the sky' will be covered in trees, vegetation
Designed by Vietnamese design firm Vo Trong Nghia Architects, the building will be made up of stacked concrete blocks placed slightly askew to create a soft, organic form that the architects say is reminiscent of a dragonfly in the sky.
| Aug 12, 2014
First look: Calatrava's futuristic Main Building opens at Florida Polytechnic University
The $60 million structure is wrapped in a bright-white, aluminum pergola for dramatic effect and solar shading.
| Aug 12, 2014
Shading prototype could allow new levels of environmental control for skyscraper occupants
Developed by architects at NBBJ, Sunbreak uses a unique three-hinged shade that morphs from an opaque shutter to an abstract set of vertical blinds to an awning, depending on what is needed.
| Aug 12, 2014
Design firms invited to submit qualifications for St. Petersburg, Fla., waterfront project
The city of St. Petersburg, Fla., invites firms to submit their ideas for a new and improved pier for Florida's fifth largest city.
| Aug 11, 2014
Air Terminal Sector Giants: Morphing TSA procedures shape terminal design [2014 Giants 300 Report]
The recent evolution of airport terminals has been prompted largely by different patterns of passenger behavior in a post-9/11 world, according to BD+C's 2014 Giants 300 Report.
