flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Chipperfield's sparkling brass-clad scheme selected to be new home of Nobel Prize

Chipperfield's sparkling brass-clad scheme selected to be new home of Nobel Prize

The distinctive building, with its shimmering vertical brass elements and glass façade design, beat out two other finalists in the Nobel Center architectural competition.


By Nobel Center | April 15, 2014
David Chipperfield Architects has won the Nobel Center architectural competition
David Chipperfield Architects has won the Nobel Center architectural competition. Renderings: courtesy Nobel Center, David Chipp
A unanimous competition jury has selected David Chipperfield’s and Christoph Felger’s slender brass-clad building as the winner in the Nobel Center architectural competition. 
 
“We are extremely excited and honoured to have been selected to be the architects for the Nobel Center. We look forward to working together to develop a building that reflects both the values of the Nobel Prize and the high expectations of the citizens of Stockholm,” says architect David Chipperfield.
 
According to the statement of the jury, the proposed building has an elegant, timeless and attractive external appearance with a clear identity of its own. The revised façade design, with its shimmering vertical brass elements and glass, has a lofty elegance and quality that can be associated with the Nobel Prize.
 
“The jury finds the lightness and openness of the building very appealing and consistent with the Nobel Foundation’s explicit ambition to create an open and welcoming Center for the general public,” says Lars Heikensten, chairman of the competition jury and Executive Director of the Nobel Foundation.
 
The transparent ground floor helps create a pleasant setting in the immediate vicinity of the building, thereby also enriching the urban public space. Meanwhile the building’s moderate footprint creates good opportunities for a public city park in a sunny south-east position.
 
The jury is of the opinion that after additional refinement in collaboration with the client and with public authorities, the proposal can lead to a dignified, exciting and inviting Nobel Center building while helping create a better, more engaging and beautiful urban setting on the Blasieholmen peninsula in central Stockholm.
 
Per Wästberg, writer, member of the Swedish Academy, Chairman of the Nobel Committee for Literature and one of the members of the competition jury says, “We view the winning proposal as a concrete interpretation of the Nobel Prize as Sweden’s most important symbol in the world. Stockholm will gain a building – magnificent but without pomp, powerful yet graceful – with qualities like those the City Hall gave the capital a century ago.”
 
In the now-completed second stage of the competition, the jury assessed proposals from three finalists: David Chipperfield and Christoph Felger från David Chipperfield Architects Berlin (Germany), Johan Celsing from Johan Celsing Arkitektkontor (Sweden) and Gert Wingårdh from Wingårdh Arkitektkontor (Sweden).
 
The Nobel Center will build up its activities around the Nobel Prize’s unique combination of disciplines – sciences, literature and peace. The ambition is to make the Nobel Center one of Stockholm’s most attractive destinations, including public spaces for exhibitions, programme and school activities, events and interdisciplinary meetings of various kinds.
 
Take a look at the renderings that won the competition:
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects
 
 
 
©David Chipperfield Architects

Related Stories

Architects | Nov 2, 2016

NCARB launches ARE 5.0

The newest version of the exam required for an architecture license, ARE 5.0, launched on Nov. 1.

Architects | Oct 24, 2016

Winners of the 2016 AAP American Architecture Prize announced

The AAP recognizes the most outstanding architecture worldwide across three disciplines: architecture, interior design, and landscape architecture.

Architects | Oct 21, 2016

A process of analysis and synthesis gives architects and designers the information they need to create

Sometimes people look only for the simple answer and don’t understand that there is a calculated process to get there, writes HDR’s Lynn Mignola.

Architects | Oct 21, 2016

The AIA Innovation Award Recipients have been selected

The program honors projects that highlight collaboration between design and construction teams to create better process efficiencies and overall costs savings.

Architects | Oct 21, 2016

NASA Orbit Pavilion to debut at The Huntington Library at the end of October

The pavilion uses sound to represent the movement of the International Space Station and 19 earth satellites.

Higher Education | Oct 20, 2016

Designing innovative campuses for tomorrow's students

Planning for places that foster effective innovation is still an emerging process, but the constant pressure on universities to do so continues from two of their key institutional constituencies—students and employers, writes Perkins+Will's Ken Higa and Josh Vel.

Data Centers | Oct 14, 2016

Where data centers meet design

As technology continues to evolve, we have to simultaneously adapt and help our clients think beyond the short term, writes Gensler's Martin Gollwitzer.

Architects | Oct 13, 2016

Dallas architects recognized at 2016 AIA Dallas Built Design Awards

Six Texas-based projects lauded for design excellence.

Architects | Oct 11, 2016

A good imagination and a pile of junk: How maker culture is influencing the way AEC firms solve problems

“Fail” is no longer a dirty four-letter word: for maker culture, it has become a crucial stop along the way

Architects | Oct 4, 2016

Video blog: How to future-proof your workplace

Larry Lander, a Principal with PDR and a registered architect, discusses how modularity can improve a workplace for the business and the individual.

boombox1
boombox2
native1

More In Category



Museums

UT Dallas opens Morphosis-designed Crow Museum of Asian Art

In Richardson, Tex., the University of Texas at Dallas has opened a second location for the Crow Museum of Asian Art—the first of multiple buildings that will be part of a 12-acre cultural district. When completed, the arts and performance complex, called the Edith and Peter O’Donnell Jr. Athenaeum, will include two museums, a performance hall and music building, a grand plaza, and a dedicated parking structure on the Richardson campus.


halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021