Like many architects before him, Turan Duda initially wanted to be an artist.
He went the architecture route instead, which he views as an art form. As a Partner with the Durham, N.C., firm Duda|Paine Architects, Duda, FAIA, has made it his mission to include an element of art in every project his team gets involved in.
The relationship between art and architecture is as old as history. But lately, clients and businesses seem to be catching on to the connection linking art and design, employee productivity, social responsibility, and customer satisfaction.
A recent survey conducted by ICM, a London-based research firm, and Art & Business, a non-profit network that builds partnerships between businesses and the arts, found that 73% of employees polled want more art in the workplace, stating that it both motivated and inspired them.
“The inclusion of art in the workplace is not a decorative gesture,” wrote Harlan Levey, a lecturer, art consultant, and owner of Harlan Levey Projects in Brussels; and Denis Maksimov a cultural critic and associate curator at that gallery. “It is not the same as buying some new plants. On the contrary, it can have several positive impacts and play an important role in your business. Art in the workplace can encourage employees to think creatively. It can create conversations amongst them while actively constructing an image of corporate culture, values and ambitions. It can also create revenue and diversify the company portfolio.”
Duda says this connection began to resonate with him when he was a student at Yale, where he recalls a “wonderful” studio with Peter Eisenman, a Principal with Eisenman Architects. “He asked us ‘what is architecture?’ and described it as a building with multiple readings that do more than one thing.”
After nearly two decades with Cesar Pelli & Associates, Duda and Jeffrey Paine, AIA, launched their firm in 1997. Over the years, Duda|Paine has built a reputation for using art to help clients express their vision.
Duda says that art is now “almost expected” in civic and public works. He speaks admiringly of the water walls at Millennial Park in Chicago as examples of the communal aspect of art. He has also seen art being included in new buildings in Austin and Asheville, N.C., “which are centers for creative folks.”
But for many nonresidential building clients, art “is an afterthought” that gets moved to the forefront of projects only when “it’s integral to the architecture.” Duda paraphrases the artist and MacArthur Fellow James Turrell that the most beautiful thing about art is when it doesn’t look like art.
The criteria for using art in nonresidential settings are site-specific, he explains. “We think of our work experientially; what is the experience we want people to have as they arrive at the building.” And it’s much easier to have discussions about art and budgets at the beginning of a project, “when we can make art part of the design of the building.”
One of Duda|Paine’s first noteworthy attempts at incorporating art into its designs was a commission by Bank of America in 2000. The architect, working with the artist Ned Kahn, developed “Wind Veil,” 80,000 small aluminum panels that covered a 260-ft by six-story-tall façade of the parking garage at Gateway Village in Charlotte, N.C. The panels were hinged to the building to move freely in the wind, “creating an impression of waves in a field of metallic grass,” according to Kahn’s website.
Last year, owner-developer Boston Properties opened 601 Massachusetts Avenue, a 650,000-sf, 11-story building with offices and retail in Washington D.C. In the lobby of that building, Duda|Paine installed a 30-ft stone travertine curtainwall supplied by the Italy-based artisan Henraux, which Duda describes as “a piece of art.” Also gracing the lobby is a freestanding stone sculpture called Le vie della luce (“the ways of light”), created by the Italian sculptor Giovanni Balderi.
Huge glass walls, backlit by LED fixtures, are prominent art elements in the lobby of Colorado Tower in Austin, Texas. Image: Courtesy Duda|Paine
Another recent Duda|Paine-designed project is the Cousins Properties-owned Colorado Tower, a 29-story, 650,000-sf mixed-use building in Austin that opened in January 2015. Colorado Tower’s lobby is distinguished by huge glass walls that Duda|Paine developed in collaboration with the glass artist Kenneth von Roenn. Jr., who was a classmate of Duda’s at Yale.
On the Kaiser/von Roenn Studio website, von Roenn states that the objective of the glass walls—which are visible from the street—is “to create a soothing/calming effect” by referencing the Colorado River, which is only three blocks from the building. LED lighting illuminates the walls, which were painted in colors that create the appearance of undulating water.
Ultimately, says Duda, what his firm is attempting to achieve by including art in its designs is to “control the view, control the experience.”
Related Stories
Urban Planning | May 25, 2023
4 considerations for increasing biodiversity in construction projects
As climate change is linked with biodiversity depletion, fostering biodiverse landscapes during construction can create benefits beyond the immediate surroundings of the project.
K-12 Schools | May 25, 2023
From net zero to net positive in K-12 schools
Perkins Eastman’s pursuit of healthy, net positive schools goes beyond environmental health; it targets all who work, teach, and learn inside them.
Contractors | May 24, 2023
The average U.S. contractor has 8.9 months worth of construction work in the pipeline, as of April 2023
Contractor backlogs climbed slightly in April, from a seven-month low the previous month, according to Associated Builders and Contractors.
Mass Timber | May 23, 2023
Luxury farm resort uses CLT framing and geothermal system to boost sustainability
Construction was recently completed on a 325-acre luxury farm resort in Franklin, Tenn., that is dedicated to agricultural innovation and sustainable, productive land use. With sustainability a key goal, The Inn and Spa at Southall was built with cross-laminated and heavy timber, and a geothermal variant refrigerant flow (VRF) heating and cooling system.
Architects | May 23, 2023
DEI initiatives at KAI Enterprises, with Michael Kennedy, Jr. and Gyasi Haynes
Michael Kennedy, Jr. and Gyasi Haynes of KAI Enterprises, St. Louis, describe their firm's effort to create a culture of diversity, equity, and inclusion—and how their own experiences as black men in the design and construction industry shaped that initiative.
Multifamily Housing | May 23, 2023
One out of three office buildings in largest U.S. cities are suitable for residential conversion
Roughly one in three office buildings in the largest U.S. cities are well suited to be converted to multifamily residential properties, according to a study by global real estate firm Avison Young. Some 6,206 buildings across 10 U.S. cities present viable opportunities for conversion to residential use.
Architects | May 23, 2023
Ware Malcomb hires Francisco Perez-Azua as Director, Interior Architecture & Design, in its Miami office
Ware Malcomb hires Francisco Perez-Azua as Director, Interior Architecture & Design, in its Miami office.
K-12 Schools | May 22, 2023
The revival of single-building K-12 schools
Schools that combine grades PK through 12 are suddenly not so uncommon. Education sector experts explain why.
Architects | May 19, 2023
Snøhetta architects make a bid to unionize the firm's New York studio
Employees at the New York office of architecture firm Snøhetta have filed a petition with the National Labor Relations Board (NLRB) to unionize the studio. Snøhetta employees’ action marks the third time architects at a private-sector architecture studio in the U.S. took that step.
Healthcare Facilities | May 19, 2023
A new behavioral health facility in California targets net zero energy
Shortly before Mental Health Awareness Month in May, development and construction firm Skanska announced the topping out of California’s first behavioral health facility—and the largest in the nation—to target net zero energy. Located in Redwood City, San Mateo County, Calif., the 77,610-sf Cordilleras Health System Replacement Project is slated for completion in late 2024.