Arata Isozaki, distinguished Japanese architect, city planner and theorist, has been selected as the 2019 Laureate of the Pritzker Architecture Prize, the award that is known internationally as architecture’s highest honor.
Lauded as a visionary amongst his international contemporaries, Isozaki’s forward-thinking approach, deep commitment to the “art of space,” and transnational methodology have been evidenced since the 1960s. The prolific architect has been credited with facilitating dialogue between East and West, reinterpreting global influences within architecture, and supporting the development of younger generations in the field. His precision and dexterity are demonstrated through his mastery of an intercontinental range of building techniques, interpretation of site and context, and intentionality of details.
The 2019 Jury Citation states, in part, “Possessing a profound knowledge of architectural history and theory, and embracing the avant-garde, he never merely replicated the status quo, but his search for meaningful architecture was reflected in his buildings that to this day, defy stylistic categorizations, are constantly evolving, and always fresh in their approach.”
Isozaki’s early successes in architecture transpired during the era following the Allied occupation of Japan, when the country sought to rebuild itself after the ruins of the Second World War. “I wanted to see the world through my own eyes, so I traveled around the globe at least ten times before I turned thirty. I wanted to feel the life of people in different places and visited extensively inside Japan, but also to the Islamic world, villages in the deep mountains of China, South East Asia, and metropolitan cities in the U.S. I was trying to find any opportunities to do so, and through this, I kept questioning, ‘what is architecture?’,” recalls the Laureate.
'I wanted to see the world through my own eyes, so I traveled around the globe at least 10 times before I turned thirty. I wanted to feel the life of people in different places and visited extensively inside Japan, but also to the Islamic world, villages in the deep mountains of China, South East Asia, and metropolitan cities in the U.S. I was trying to find any opportunities to do so, and through this, I kept questioning, "What is architecture?"' — Arata Isozaki
Not only did he extend efforts to physically reconstruct his native hometown with buildings including Ōita Medical Hall (1959-60) and Annex (1970-1972 Ōita, Japan), and the Ōita Prefectural Library (1962-1966 Ōita, Japan, renamed Ōita Art Plaza in 1996), but also redefined mutual exchange between eastern and western societies, allowing Japanese vision to inform European and American design, particularly in the 1980s.
“Isozaki was one of the first Japanese architects to build outside of Japan during a time when western civilizations traditionally influenced the East, making his architecture—which was distinctively influenced by his global citizenry—truly international,” comments Tom Pritzker, Chairman of Hyatt Foundation. “In a global world, architecture needs that communication.”
His buildings appear geometrically simple, but are infused with theory and purpose. The Museum of Contemporary Art, Los Angeles (1981-1986 Los Angeles, United States) was the architect’s first international commission. Though controversial and geographically challenging, the red Indian sandstone building was resolved by Isozaki’s eloquent awareness of scale through an assemblage of volumes, while employing the golden ratio and yin yang theory throughout, evoking the complementary nature of western and eastern relationships.
Isozaki’s avant-garde approach is fluid, adjusting in response to the needs and influences of each environment through a concept of interrelated time and form called “ma.” Thoughtful connectivity between global universality and local identity is made apparent through his comprehensive cross-cultural and interdisciplinary solutions that reflect deep sensitivity to specific contextual, environmental and societal needs.
Qatar National Convention Center, photo courtesy of Hisao Suzuki
Qatar National Convention Center, photo courtesy of Hisao Suzuki
Ceramic Park Mino (1996-2002 Gifu, Japan), a ceramics museum situated in a cascading valley, preserves surrounding vegetation while serving as an extension of the topography through outdoor terraces, observation decks and overlooks, detailed with regional stoneware bricks and ceramic. Palau Sant Jordi (1983-1990 Barcelona, Spain), designed for the 1992 Summer Olympic Games, is positioned partially below ground to minimize the profile of the 17,000-person facility and instead highlight the surrounding Montjuïc hillside. The domed roof was built referencing Catalan vault techniques, while the sloped forms were inspired by those of Buddhist temples, and local materials including brick, tile, zinc and travertine were used as finishes.
“Isozaki is a pioneer in understanding that the need for architecture is both global and local—that those two forces are part of a single challenge,” says Justice Stephen Breyer, Jury Chair. “For many years, he has been trying to make certain that areas of the world that have long traditions in architecture are not limited to that tradition, but help spread those traditions while simultaneously learning from the rest of the world.”
'Isozaki was one of the first Japanese architects to build outside of Japan during a time when western civilizations traditionally influenced the East, making his architecture—which was distinctively influenced by his global citizenry—truly international. In a global world, architecture needs that communication.' — Tom Pritzker, Chairman of Hyatt Foundation
The Jury also notes the Laureate’s spirit of generosity, as he has, and continues, to promote architects at the onsets of their careers who have since gone on to become distinguished figures within the discipline.
Isozaki’s work has thus far surpassed six decades and over one hundred built works throughout Asia, Europe, North America, the Middle East and Australia. Other prominent works include the Kitakyushu City Museum of Art (1972-1974 Fukuoka, Japan), Tsukuba Center Building, (1979-1983 Ibaraki, Japan), Art Tower Mito (1986-1990 Ibaraki, Japan), Nara Centennial Hall (1992-1998 Nara, Japan), Pala Alpitour (2002-2006 Torino, Italy), Himalayas Center (2003-2013 Shanghai, China), Allianz Tower (2003-2014 Milan, Italy), Qatar National Convention Center (2004-2011 Doha, Qatar), and Shanghai Symphony Hall (2008-2014 Shanghai, China).
Isozaki is the 46th Laureate of the Pritzker Prize, and the eighth to hail from Japan. The 2019 Pritzker Prize ceremony will take place in France this May, accompanied by a public lecture in Paris.
Allianz Tower, photo courtesy of Alessandra Chemollo
Allianz Tower, photo courtesy of Alessandra Chemollo
Shanghai Symphony Hall, photo courtesy of Chen Hao
Shanghai Symphony Hall, photo courtesy of Chen Hao
Domus: La Casa del Hombre, photo courtesy of Hisao Suzuki
Domus: La Casa del Hombre, photo courtesy of Hisao Suzuki
Ceramic Park Mino, photo courtesy of Hisao Suzuki
Kitakyushu Central Library, photo courtesy of FUJITSUKA Mitsumasa
Kitakyushu Central Library, photo courtesy of FUJITSUKA Mitsumasa
Kitakyushu Central Library, photo courtesy of FUJITSUKA Mitsumasa
MOMA Gunma, photo courtesy of Yasuhiro Ishimoto
MOMA Gunma, photo courtesy of Yasuhiro Ishimoto
Related Stories
Codes and Standards | Aug 31, 2023
Community-led effort aims to prevent flooding in Chicago metro region
RainReady Calumet Corridor project favors solutions that use natural and low-impact projects such as rain gardens, bioswales, natural detention basins, green alleys, and permeable pavers, to reduce the risk of damaging floods.
Adaptive Reuse | Aug 31, 2023
Small town takes over big box
GBBN associate Claire Shafer, AIA, breaks down the firm's recreational adaptive reuse project for a small Indiana town.
Giants 400 | Aug 31, 2023
Top 35 Engineering Architecture Firms for 2023
Jacobs, AECOM, Alfa Tech, Burns & McDonnell, and Ramboll top the rankings of the nation's largest engineering architecture (EA) firms for nonresidential buildings and multifamily buildings work, as reported in Building Design+Construction's 2023 Giants 400 Report.
Giants 400 | Aug 30, 2023
Top 75 Engineering Firms for 2023
Kimley-Horn, WSP, Tetra Tech, Langan, and IMEG head the rankings of the nation's largest engineering firms for nonresidential buildings and multifamily buildings work, as reported in Building Design+Construction's 2023 Giants 400 Report.
Building Team | Aug 28, 2023
Navigating challenges in construction administration
Vessel Architecture's Rebekah Schranck, AIA, shares how the demanding task of construction administration can be challenging, but crucial.
Laboratories | Aug 24, 2023
Net-zero carbon science center breaks ground in Canada
Designed by Diamond Schmitt, the new Atlantic Science Enterprise Centre (ASEC) will provide federal scientists and partners with state-of-the-art space and equipment to collaborate on research opportunities.
Multifamily Housing | Aug 24, 2023
A multifamily design for multigenerational living
KTGY’s Family Flat concept showcases the benefits of multigenerational living through a multifamily design lens.
Multifamily Housing | Aug 23, 2023
Constructing multifamily housing buildings to Passive House standards can be done at cost parity
All-electric multi-family Passive House projects can be built at the same cost or close to the same cost as conventionally designed buildings, according to a report by the Passive House Network. The report included a survey of 45 multi-family Passive House buildings in New York and Massachusetts in recent years.
Regulations | Aug 23, 2023
Gas industry drops legal challenge to heat pump requirement in Washington building code
Gas and construction industry groups recently moved to dismiss a lawsuit they had filed to block new Washington state building codes that require heat pumps in new residential and commercial construction. The lawsuit contended that the codes harm the industry groups’ business, interfere with consumer energy choice, and don’t comply with federal law.
Government Buildings | Aug 23, 2023
White House wants to ‘aggressively’ get federal workers back to the office
The Biden administration wants to “aggressively” get federal workers back in the office by September or October. “We are returning to in-person work because it is critical to the well-being of our teams and will enable us to deliver better results for the American people,” according to an email by White House Chief of Staff Jeff Zients. The administration will not eliminate remote work entirely, though.