flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Is the AEC industry ready to shake off its retrograde image?

Architects

Is the AEC industry ready to shake off its retrograde image?

Technology has been and always will be perceived as a source for wonder and worry.


By John Caulfield, Senior Editor | April 16, 2018
Man with a VR headset on

A few weeks ago, I received a link to a Radware report warning about the “grave dangers” associated with robot networks that exploit Internet of Things devices as weapons of attack for launching ransomware and various other nasty disruptions against companies and individuals.

Around the same time, The Guardian posted on its website a 45-second video that shows SpotMini, a dog-like robot manufactured by Boston Dynamics, using a mechanical arm mounted on its back to open a door. That video went viral, with 8.3 million viewers in the first nine days who also saw the newspaper’s dire verdict that this machine advance is “terrifying.”

Technology has been and always will be perceived as a source for wonder and worry. As it becomes evermore essential to our daily functions, more than just the viewers of “Black Mirror” are concerned about tech’s encroachments.

This trepidation might explain why several of the technologists I’ve interviewed recently for stories about virtual reality and artificial intelligence in construction were at great pains to explain why technology can be disruptive in positive ways that shouldn’t threaten anyone’s psyche or livelihood.

“VR is neither good nor bad—it’s a tool,” states Jeremy Bailenson, a professor at Stanford University. In his new book, “Experience on Demand,” Bailenson acknowledges that there are “darker” sides to VR that can’t be ignored. But the best way to use it responsibly, he asserts, “is to be educated about what it is capable of.”

Alvise Simondetti, Arup’s Global Leader of Digital Environment, sees smart machines as “partners”—rather than adversaries—of humans. And he’s not buying into the fear that technology will inevitably dumb down creativity and render certain job titles obsolete.

Take last year’s launch of AutoDraw, the “doodle bot” developed by Google’s Creative Lab, which pairs machine learning with drawings from artists. AutoDraw gives a drawer the ability to replace a rough sketch with a more-refined drawing from that data library.

Some designers probably see AutoDraw as ominous. Simondetti views such “enhancements” as progress.

“Architects can only explore a narrow part of a design space solution. Machines can simply see a ton more,” says Simondetti. He adds that artificial intelligence will speed up the design process at a time when “the world can’t wait, not with the rate of urbanization.”

Such sanguinity might sound surprising coming from someone working in an industry usually characterized as tech phobic. But I get the sense that more AEC firms and their suppliers want to shake off that retrograde image and push their industry closer to the vanguard.

More AEC firms and their clients seem convinced that their readiness to at least coexist with—rather than quixotically resist—technology could decide who wins and who loses going forward.

Related Stories

Market Data | Jul 21, 2022

Despite deteriorating economic conditions, nonresidential construction spending projected to increase through 2023

Construction spending on buildings is projected to increase just over nine percent this year and another six percent in 2023, according to a new report from the American Institute of Architects (AIA). 

Mixed-Use | Jul 21, 2022

Former Los Angeles Macy’s store converted to mixed-use commercial space

Work to convert the former Westside Pavilion Macy's department store in West Los Angeles to a mixed-use commercial campus recently completed.

Building Team | Jul 20, 2022

San Francisco overtakes Tokyo as the world’s most expensive city for construction

San Francisco has overtaken Tokyo as the world’s most expensive city for construction, according to a new report from Turner & Townsend.

Libraries | Jul 20, 2022

Canada to open one of the world’s largest library and archive facilities

When it opens in 2026, Ādisōke is expected to be one of the largest library and archive facilities in the world. 

Architects | Jul 19, 2022

Perkins Eastman Bolsters Its Dallas Studio with 5 Dynamic New Principals

Seasoned staff bring talent, experience, and enthusiasm to expand firm.

Energy-Efficient Design | Jul 19, 2022

All is not lost: 3 ways architects can respond to the Supreme Court’s EPA ruling

The U.S. Supreme Court’s ruling to limit the Environmental Protection Agency’s power to regulate greenhouse gas (GHG) emissions from power plants dealt a significant blow to our ability to fight the climate crisis with federal policy.

Office Buildings | Jul 19, 2022

Austin adaptive reuse project transforms warehouse site into indoor-outdoor creative office building

Fifth and Tillery, an adaptive reuse project, has revitalized a post-industrial site in East Austin, Texas.

Women in Design+Construction | Jul 18, 2022

Registration is open for BD+C's 2022 Women in Design+Construction Conference

Join your AEC industry peers in Chicago, September 26-28, 2022, for the 7th annual Women in Design+Construction Conference, hosted by the BD+C editorial team and the 35-person WIDC Advisory Board. 

Airports | Jul 18, 2022

FAA will award nearly $1 billion for airport projects

The Federal Aviation Administration (FAA) will award nearly $1 billion to 85 airports of all sizes across the country to improve terminals.

Building Team | Jul 18, 2022

Understanding the growing design-build market

FMI’s new analysis of the design-build market forecast for the next fives years shows that this delivery method will continue to grow, despite challenges from the COVID-19 pandemic.

boombox1
boombox2
native1

More In Category




Museums

UT Dallas opens Morphosis-designed Crow Museum of Asian Art

In Richardson, Tex., the University of Texas at Dallas has opened a second location for the Crow Museum of Asian Art—the first of multiple buildings that will be part of a 12-acre cultural district. When completed, the arts and performance complex, called the Edith and Peter O’Donnell Jr. Athenaeum, will include two museums, a performance hall and music building, a grand plaza, and a dedicated parking structure on the Richardson campus.

halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021