Building Teams and their clients tend to think of a decorative concrete contractor as just another trade to be fit into the construction schedule, preferably at the lowest possible cost. But installing decorative concrete can be a delicate process, making planning for the construction crucially important.
At one time, decorative concrete came in only a few finishes—colored concrete, acid-etch stained, and stamped patterns. Today, there’s an almost infinite number of finishes available for horizontal and vertical surfaces—stamped, textured, integral and dust-on, colored, acid etch, dye (water and solvent), stampable overlays, self-level overlays, micro-toppings, stencil, engraved, form liners, diamond polished, sandblast, exposed aggregate, and coatings (epoxy, urethane, and acrylic). Finishes can also be combined with other finishes.
The possibilities are limited only by creativity of the designer and concrete contractor, yet it’s that very creativity that makes using decorative concrete so attractive. The problem is that concrete is very sensitive to a wide range of variables that can negatively impact the outcome.
ALSO SEE: 8 Innovations That Will Rock Your Next Concrete Project
To learn more about how to control these variables and thereby make decorative concrete a successful component of your next project, we consulted Mike Miller, Managing Principal of The concretist, Benicia, Calif. (www.theconcretist.com), one of the oldest decorative concrete contractors in the business. The term “concretist” refers to “one who practices concrete poetry,” and Miller himself is widely known for the almost poetic nature of his work.
1. Correctly assess—and manage—client expectations.
Miller says projects should start with the owner providing a full description, preferably in writing, of what the finished product should look like. Then the contractor can respond with what’s physically, aesthetically, and financially feasible. Sometimes owners have unreasonable expectations; early discussion can help manage those expectations.
What Building Teams should do when specifying decorative concrete:
1. Correctly assess—and manage—client expectations.
2. Choose the right decorative concrete contractor.
3. Carefully schedule the work of other trades to avoid undue damage to the concrete.
4. Provide the right protection for the finished work.
5. Negotiate an agreement with the client/owner on post-occupancy maintenance.
Decorative concrete usually isn’t structural in nature, although specifications are often written as if they were. For instance, a specification might require concrete with high compressive, tensile, or flexural strengths cured in a prescriptive manner. Or a specification might require “green concrete” with a certain percentage of the portland cement substituted with fly ash, slag cement, or other pozzolanic materials.
Miller’s advice: Focus first on the requirements for a good decorative installation; otherwise the work might meet all the structural requirements but be rejected for aesthetic reasons. For example, applying the usual curing specification for plain concrete to decorative work could have disastrous results, to the point of permanently damaging the look of decorative work. He urges Building Teams to use pre-job conferences to focus on the “dryness” of concrete or the slab relative humidity needed to start finish work rather than how to retain more moisture for curing purposes.
2. Choose the right decorative concrete contractor.
There can be significant variations in the creative abilities of decorative concrete contractors, says Miller. If you want highly creative work you must find a contractor who can perform at that level and who also possesses good craft skills. Contractors tend to specialize in certain types of decorative concrete these days, so you’ll have to narrow your search to get the right one for your job.
A word of caution: Miller says some decorative concrete contractors don’t place-and-finish concrete and wouldn’t know how to do it if asked, so you might have to hire a place-and-finish concrete contractor in addition to a decorative specialist.
3. Carefully schedule the work of other trades to avoid undue damage to the concrete.
Unfortunately, decorative concrete is highly susceptible to damage by other trades, more so than tile or other finished floor surfaces. Damage to concrete slabs can occur before decorative work begins or afterwards. Plumbers have been known to spill cutting oil, hot solder, and plastic pipe glue on slabs. Carpenters seem to think that any flat surface was put there so that they could pile stacks of lumber on it. Even trade workers’ footprints on floors that are hard but still considered “green” can become visible when acid-stain finishes are applied. Shoe soles also contain oils that may act as a resist.
To avoid conflicts with other trades, Miller recommends scheduling this work starting on a Friday afternoon and proceeding through a weekend. With no one on the job site to cause problems or delays, he says that’s the best chance for success.
4. Provide the right protection for the finished work.
The common belief about concrete is that it gets hard, becomes even stronger over time, and that’s pretty much it—no need to worry further. But that is not the case. Concrete remains vulnerable because its chemistry continues to change as it ages, and water on slab surfaces can bring about other physical and chemical changes. That’s why it’s so important to include a plan for protecting the finished work in pre-job meeting discussions.
Miller says covering material must allow moisture vapor from concrete to pass through while not allowing products that can stain to reach the surface of the concrete. The responsibility for the finished work is not a trivial matter. Since the concrete contractor cannot be expected to stay on the job until the concrete has fully cured, the responsibility for protecting the decorative work falls to the general contractor. However, that does not absolve the decorative contractor of all responsibility. The subcontractor should suggest the best protective products to use and perhaps even install them the first time.
5. Negotiate an agreement with the client/owner on post-occupancy maintenance.
A long-term maintenance plan should be part of the discussion your Building Team has with the client and facilities staff before construction begins. There are several ways to seal decorative work; each sealer provides a unique appearance. If an owner wants a glossy “wet look,” an epoxy, polyaspartic urethane, or acrylic finish is a good choice. These finishes must be renewed per the manufacturer’s recommendation. The accepted standard is that pedestrians should walk on the sealer, not on the concrete.
ALSO SEE: The world’s first building made from carbon-fiber reinforced concrete starts construction in Germany
If the owner wants a natural concrete look without a glossy appearance, there are penetrating sealers on the market that restrict pore openings so that dirt and other staining materials will not penetrate the surface.
Diamond-polished floors present additional maintenance problems. Owners typically want these floors to have a high-gloss shine, but dirt and fine grit become abrasive under foot traffic, dulling the surface gloss over time. Some big-box retail companies have maintenance programs to remove dirt and grit on a frequent schedule. In grocery stores food spillage must also be removed and cleaned as it occurs.
The inspirational aspect of decorative concrete
There are good reasons for the growing popularity of decorative concrete. It’s in our nature as humans to surround ourselves with creative expression and color; we like to be emotionally pleased by our environment.
Today, there are many more options for Building Teams to provide that kind of satisfaction through the use of decorative concrete. That’s why it’s important for Building Teams to work with their decorative concrete contractors to meet these heightened client expectations and ensure a long and useful life for these beautiful, inspiring surfaces. +
--
Joe Navsik, a freelance writer in the Chicago area, is a former editor at Concrete Construction magazine.
Related Stories
| Oct 15, 2013
High-rise Art Deco courthouse gets a makeover in Amarillo, Texas
Recognized as one of the most significant Art Deco courthouses in Texas, the Potter County Courthouse is modernized and restored to its 1930s aesthetic.
| Oct 15, 2013
Historic LA YMCA-turned apartment building wins World Architecture Festival award
A major renovation of an historic YMCA in Los Angeles to an apartment facility was named the 2013 World Architecture Festival Housing Award recipient.
| Oct 15, 2013
15 great ideas from the Under 40 Leadership Summit – Vote for your favorite!
Sixty-five up-and-coming AEC stars presented their big ideas for solving pressing social, economic, technical, and cultural problems related to the built environment. Which one is your favorite?
| Oct 14, 2013
How to leverage workplaces to attract and retain top talent
Just about every conversation I have related to employee attraction and retention tends to turn into an HR sounding discussion about office protocols, incentives, and perks. But as a workplace strategist, I need to help my clients make more tangible links between their physical workplace and how it can be leveraged to attract and retain top talent. Here are some ideas.
| Oct 14, 2013
The next level of Lean process for healthcare
Most hospitals have begun the Lean process improvement stage to eliminate waste, reduce travel distances, and minimize inventory, with varying levels of success. Here are three keys to creating a prosperous Lean program.
| Oct 10, 2013
Behind the scenes at the U40 Summit: See the $5,000 U40 Vision competition in progress [slideshow]
Sixty-five up-and-coming AEC leaders are battling for $5,000 in prizes today at BD+C's Under 40 Leadership Summit in San Francisco.
| Oct 10, 2013
Carnegie Mellon study looks at impact of dashboards on energy consumption
A recent study by Carnegie Mellon took a look at the impact of providing feedback in an energy dashboard form to workers and studying how it impacted overall energy consumption.
| Oct 10, 2013
Arthur Gensler to architects: Don't give away your ideas
M. Arthur Gensler, Jr., FAIA, FIIDA, RIBA, founder of the world’s largest architecture firm, Gensler, offered important advice to more than 65 young AEC stars attending BD+C's Under 40 Leadership Summit in San Francisco, which kicked off last night at the Hyatt Regency San Francisco.
| Oct 9, 2013
From power plant to office: Ambler Boiler House conversion
The shell of a 19th-century industrial plant is converted into three levels of modern office space.
| Oct 9, 2013
SOM gets second crack at iconic modernist structure in New York
More than 50 years after SOM completed the Manufacturers Hanover Trust building, the firm is asked to restore and modernize the space.