Building Teams and their clients tend to think of a decorative concrete contractor as just another trade to be fit into the construction schedule, preferably at the lowest possible cost. But installing decorative concrete can be a delicate process, making planning for the construction crucially important.
At one time, decorative concrete came in only a few finishesâcolored concrete, acid-etch stained, and stamped patterns. Today, thereâs an almost infinite number of finishes available for horizontal and vertical surfacesâstamped, textured, integral and dust-on, colored, acid etch, dye (water and solvent), stampable overlays, self-level overlays, micro-toppings, stencil, engraved, form liners, diamond polished, sandblast, exposed aggregate, and coatings (epoxy, urethane, and acrylic). Finishes can also be combined with other finishes.
The possibilities are limited only by creativity of the designer and concrete contractor, yet itâs that very creativity that makes using decorative concrete so attractive. The problem is that concrete is very sensitive to a wide range of variables that can negatively impact the outcome.
Â
ALSO SEE:Â 8 Innovations That Will Rock Your Next Concrete Project
Â
To learn more about how to control these variables and thereby make decorative concrete a successful component of your next project, we consulted Mike Miller, Managing Principal of The concretist, Benicia, Calif. (www.theconcretist.com), one of the oldest decorative concrete contractors in the business. The term âconcretistâ refers to âone who practices concrete poetry,â and Miller himself is widely known for the almost poetic nature of his work.
Â
1. Correctly assessâand manageâclient expectations.
Miller says projects should start with the owner providing a full description, preferably in writing, of what the finished product should look like. Then the contractor can respond with whatâs physically, aesthetically, and financially feasible. Sometimes owners have unreasonable expectations; early discussion can help manage those expectations.
What Building Teams should do when specifying decorative concrete:
1. Correctly assessâand manageâclient expectations.
2. Choose the right decorative concrete contractor.
3. Carefully schedule the work of other trades to avoid undue damage to the concrete.
4. Provide the right protection for the finished work.
5. Negotiate an agreement with the client/owner on post-occupancy maintenance.
Decorative concrete usually isnât structural in nature, although specifications are often written as if they were. For instance, a specification might require concrete with high compressive, tensile, or flexural strengths cured in a prescriptive manner. Or a specification might require âgreen concreteâ with a certain percentage of the portland cement substituted with fly ash, slag cement, or other pozzolanic materials.
Millerâs advice: Focus first on the requirements for a good decorative installation; otherwise the work might meet all the structural requirements but be rejected for aesthetic reasons. For example, applying the usual curing specification for plain concrete to decorative work could have disastrous results, to the point of permanently damaging the look of decorative work. He urges Building Teams to use pre-job conferences to focus on the âdrynessâ of concrete or the slab relative humidity needed to start finish work rather than how to retain more moisture for curing purposes.
Â
2. Choose the right decorative concrete contractor.
There can be significant variations in the creative abilities of decorative concrete contractors, says Miller. If you want highly creative work you must find a contractor who can perform at that level and who also possesses good craft skills. Contractors tend to specialize in certain types of decorative concrete these days, so youâll have to narrow your search to get the right one for your job.
A word of caution: Miller says some decorative concrete contractors donât place-and-finish concrete and wouldnât know how to do it if asked, so you might have to hire a place-and-finish concrete contractor in addition to a decorative specialist.
Â
3. Carefully schedule the work of other trades to avoid undue damage to the concrete.
Unfortunately, decorative concrete is highly susceptible to damage by other trades, more so than tile or other finished floor surfaces. Damage to concrete slabs can occur before decorative work begins or afterwards. Plumbers have been known to spill cutting oil, hot solder, and plastic pipe glue on slabs. Carpenters seem to think that any flat surface was put there so that they could pile stacks of lumber on it. Even trade workersâ footprints on floors that are hard but still considered âgreenâ can become visible when acid-stain finishes are applied. Shoe soles also contain oils that may act as a resist.
To avoid conflicts with other trades, Miller recommends scheduling this work starting on a Friday afternoon and proceeding through a weekend. With no one on the job site to cause problems or delays, he says thatâs the best chance for success.
Â
4. Provide the right protection for the finished work.
The common belief about concrete is that it gets hard, becomes even stronger over time, and thatâs pretty much itâno need to worry further. But that is not the case. Concrete remains vulnerable because its chemistry continues to change as it ages, and water on slab surfaces can bring about other physical and chemical changes. Thatâs why itâs so important to include a plan for protecting the finished work in pre-job meeting discussions.
Miller says covering material must allow moisture vapor from concrete to pass through while not allowing products that can stain to reach the surface of the concrete. The responsibility for the finished work is not a trivial matter. Since the concrete contractor cannot be expected to stay on the job until the concrete has fully cured, the responsibility for protecting the decorative work falls to the general contractor. However, that does not absolve the decorative contractor of all responsibility. The subcontractor should suggest the best protective products to use and perhaps even install them the first time.
Â
5. Negotiate an agreement with the client/owner on post-occupancy maintenance.
A long-term maintenance plan should be part of the discussion your Building Team has with the client and facilities staff before construction begins. There are several ways to seal decorative work; each sealer provides a unique appearance. If an owner wants a glossy âwet look,â an epoxy, polyaspartic urethane, or acrylic finish is a good choice. These finishes must be renewed per the manufacturerâs recommendation. The accepted standard is that pedestrians should walk on the sealer, not on the concrete.
Â
Â
If the owner wants a natural concrete look without a glossy appearance, there are penetrating sealers on the market that restrict pore openings so that dirt and other staining materials will not penetrate the surface.
Diamond-polished floors present additional maintenance problems. Owners typically want these floors to have a high-gloss shine, but dirt and fine grit become abrasive under foot traffic, dulling the surface gloss over time. Some big-box retail companies have maintenance programs to remove dirt and grit on a frequent schedule. In grocery stores food spillage must also be removed and cleaned as it occurs.
Â
The inspirational aspect of decorative concrete
There are good reasons for the growing popularity of decorative concrete. Itâs in our nature as humans to surround ourselves with creative expression and color; we like to be emotionally pleased by our environment.
Today, there are many more options for Building Teams to provide that kind of satisfaction through the use of decorative concrete. Thatâs why itâs important for Building Teams to work with their decorative concrete contractors to meet these heightened client expectations and ensure a long and useful life for these beautiful, inspiring surfaces. +
--
Joe Navsik, a freelance writer in the Chicago area, is a former editor at Concrete Construction magazine.
Related Stories
| Jan 20, 2015
Avery Associates unveils plans for London's second-tallest tower
The 270-meter tower, dubbed the No. 1 Undershaft, will stand next to the city's "Cheesegrater" building.
| Jan 19, 2015
HAO unveils designs for a 3D movie museum in China
New York-based HAO has released designs for the proposed Bolong 3D Movie Museum & Mediatek in Tianjin.
| Jan 19, 2015
Gaudiâs first work outside Spain will be a chapel in Chile
Nearly 100 years after Antoni GaudĂâs death, Chile will begin constructing a chapel using his designs.
| Jan 19, 2015
Architecture for Humanity closes office, plans to file for bankruptcy
After more than 15 years of work, the nonprofit design group Architecture for Humanity has closed its San Francisco office and plans to file for Chapter 7 bankruptcy protection.
| Jan 17, 2015
When is a train station not a train station? When itâs a performance venue
You can catch a train at Minneapolisâs new Target Field Station. You can also share in an experience. Thatâs what âOpen Transitâ is all about.
| Jan 16, 2015
Artsy lifeguard stations will brighten Torontoâs snowy beach
Five winning designs have been unveiled for lifeguard stands that will double as public space art installations on Toronto's beach.
| Jan 16, 2015
New York City construction costs continue to climb
A study released by the New York Building Congress shows that construction costs in Manhattan have risen 5% in each of the last two years.
| Jan 15, 2015
A reconstructed Taliesin West is the largest Frank Lloyd Wright LEGO Model [slideshow]
Artist Adam Reed Tucker used 180,000 LEGO pieces and 420 hours of work to recreate Frank Lloyd Wright's Taliesin West campus.
| Jan 15, 2015
Construction materials prices fall in November
Construction input prices dipped 1.4% during the final month of 2014 and are down nearly 1% on a year-over-year basis, according to the Jan. 15 producer price index release from the U.S. Department of Labor.Â
| Jan 15, 2015
Libeskind unveils 'zig zag' plan for recreational center near Vilnius ski area
Perched on the highest peak between Vilnius' historic quarter and downtown, the Vilnius Beacon will be a hub for visiting skiers and outdoor enthusiasts.